{"id":124159,"date":"2018-05-09T06:01:38","date_gmt":"2018-05-09T10:01:38","guid":{"rendered":"https:\/\/oncubamagazine.com\/?p=124159"},"modified":"2018-06-19T04:59:17","modified_gmt":"2018-06-19T08:59:17","slug":"sosabravo-dedication-and-love-for-cuban-culture","status":"publish","type":"post","link":"https:\/\/oncubanews.com\/en\/advertorial\/sosabravo-dedication-and-love-for-cuban-culture\/","title":{"rendered":"Sosabravo: Dedication and Love for Cuban Culture"},"content":{"rendered":"

Maestro Alfredo Sosabravo (October 25, 1930, Sagua la Grande, Las Villas) is almost 90, an anniversary he will be celebrating in two years with a retrospective exhibition in the Havana Museum of Fine Arts. But before this, this man of fluid speech and a lucid mind has many plans and, to achieve them, he is working \u2013 with the spirit of a high-performance athlete \u2013 more than eight hours a day in his studio workshop, located in the district of Miramar.<\/p>\n

Right now, Sosabravo \u2013 together with his inseparable, also ceramist and close collaborator for more than 40 years, Ren\u00e9 Palenzuela – is buried in the production of the pictorial work he will take, for the third time, to the Italian city of Rome.<\/p>\n

For this creator \u2013 1997 National Prize for Visual Arts – the second semester of 2018 will be of intense and feverish activity because he will visit, as part of his work, several Italian cities: Verona, to \u201cmake some bronze pieces\u201d; Murano, \u201csome glasswork\u201d and Albissola Marina \u2013 between Genoa and Savona \u2013 to \u201cwork on ceramics.\u201d And everything, he said in an exclusive conversation with OnCuba, \u201cwith the desire, enthusiasm, curiosity and surprise of the first time.\u201d<\/p>\n

Outside the Cuban borders, Alfredo Sosabravo is a renowned artist because of the very high quality of his proposal and because, among other things, he is always self-revolutionizing himself, despite continuing the line that identifies him. Another factor to take into account is that he has continued, for more than 60 years, experimenting on different techniques and supports, which guarantee the constant renovation of his work. Sosabravo has undoubtedly marked guidelines and has left his imprint on Cuban contemporary art.<\/p>\n

\"Sosabravo<\/a>
Sosabravo Photo by Jorge Luis Borges<\/figcaption><\/figure>\n

With the sunny smile that characterizes him, he explains without the slightest vanity: \u201cI sincerely don\u2019t need to promote myself to sell, but I recognize that it is very important to mark one\u2019s presence in order to be taken into account; the publicity generated by being in the international circuits is strategic, and that\u2019s why I have exhibits outside Cuba.\u201d<\/p>\n

In his studio workshop \u2013 surrounded by an almost forest\/garden that he tends to with great care and in which bees and hummingbirds come to suck -, Sosabravo frequently receives collectors fundamentally from Spain, Italy and Mexico: \u201cnot so much from the United States, because for more than two decades I have been collaborating and marketing with the Cernuda Art Gallery, based in Coral Gables, Miami, and it\u2019s going very well for me.\u201d<\/p>\n

Sosabravo affirmed with absolute frankness that he has never had obstacles in Cuba to sell: \u201cno one has come to tell me what I can or cannot do, what I have to or can\u2019t paint, and how to do it. In that sense I feel I am a very free artist and human being and that fills me with satisfaction.\u201d<\/p>\n

Speaking of his beginnings \u2013 around the already faraway 1950 \u2013 he remembers his first oil painting (\u201cHomenaje a Lam\u201d), and starting then he remained faithful to painting for some 10 years. \u201cIn 1960 Acosta Le\u00f3n told me that the Museum of Fine Arts had made a call for the First Engraving Salon with themes of the Revolution. He said to me, \u2018let\u2019s send a work!\u2019 I answered: \u2018you\u2019ll send it because I don\u2019t know how an engraving is made!\u2019 He patiently explained how the xylography is made, the simplest way. I sent a work, while he did nothing of the sort.\u201d<\/p>\n

Sosabravo\u2019s piece won the Acquisition Prize at the Salon. Thus he went from being an unknown artist to being \u201cat the same level of master artists like Carmelo Gonz\u00e1lez, Lesbia Vent Dumois and Armando Posse,\u201d all of them star engravers at the time.<\/p>\n

And he started a feverish career of engraver on wood, to the point that Acosta Le\u00f3n used to tell him that he \u201clooked like a termite.\u201d His dedication to the specialty was such that when in 1962 the first Art Instructors School, based in the Comodoro Hotel, was founded, Armando Posse asked him to be a professor. For three years he gave drawing and engraving lessons and, later, he went on to work in a ceramics workshop to paint on the supports made by potters. But, restless as he was and is, Sosabravo started modeling clay and initiated himself in ceramics, a specialty he carried out until the early 1990s when, due to the economic crisis the island was going through and the subsequent shortage of materials, he again took up painting, until now.<\/p>\n

\"Sosabravo\"<\/a>
Sosabravo<\/figcaption><\/figure>\n

This man, an insatiable reader of good literature, a film and classical music lover, considers of great importance the hand-painted works. And, although he recognizes that with the technological advances \u201cnew ways to express oneself have appeared,\u201d the act of creating with one\u2019s own hands is for him \u201cthe greatest enjoyment.\u201d<\/p>\n

Author of emblematic ceramic works like \u201cEl carro the Revoluci\u00f3n\u201d (The Revolution\u2019s Bandwagon) \u2013 located in the Habana Libre Hotel – or the mural \u201cAmerica\u201d (made with more than 1,000 tiles and, finally, established in 1992 in the Casa Carmen Montilla of the Office of the City of Havana Historian) \u2013 this restless maestro has found the perfect balance: in Cuba, \u201csource of inspiration,\u201d he paints on the canvas his imagination full of colorful birds and characters, and in Europe he makes ceramic, bronze, glass pieces and more recently he has been making incursions into volcanic stone thanks to a proposal that came from Positano Amalfi, to the south of Naples.<\/p>\n

Those volcanic stones turned into discs, the spectacular sculptures made in Murano glass assembled with bronze, in addition to a tight selection of the best of his engravings and paintings, will be the gift that maestro Alfredo Sosabravo will give us in 2020, a year when the Havana Museum of Fine Arts will inaugurate an exhibition that will revere and applaud his nine decades of dedication and love for Cuban culture.<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Maestro Alfredo Sosabravo (October 25, 1930, Sagua la Grande, Las Villas) is almost 90, an anniversary he will be celebrating in two years with a retrospective exhibition in the Havana Museum of Fine Arts. 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