{"id":185697,"date":"2018-08-26T22:00:00","date_gmt":"2018-08-27T02:00:00","guid":{"rendered":"https:\/\/oncubanews.com\/en\/nur-there-will-always-be-stories-to-be-told-2\/"},"modified":"2018-10-02T19:49:38","modified_gmt":"2018-10-02T23:49:38","slug":"nur-there-will-always-be-stories-to-be-told","status":"publish","type":"post","link":"https:\/\/oncubanews.com\/en\/culture\/nur-there-will-always-be-stories-to-be-told\/","title":{"rendered":"NUR: \u201cThere Will Always be Stories to be Told\u201d"},"content":{"rendered":"

Mar\u00eda Stefania Diez Moreno<\/strong>, NUR (Havana, 1978). Daughter of renowned craft artists, her home was also the site where visual artists, musicians, poets, craftspeople and theater people frequently gathered: \u201cever since I was a child I felt the need to paint. I was only interested in that\u2026. My parents took me to the Visual Arts Elementary School.\u201d That was the seed that contributed to NUR\u2019s cultivating a personal and very feminine work that invokes reflection, analysis and the visual enjoyment of beauty.<\/span><\/em><\/p>\n

\"\"<\/a><\/p>\n

When NUR got to the San Alejandro Art Academy she came with \u201cimportant tools,\u201d learned in the Havana Visual Arts Elementary School \u2013 which unfortunately no longer exists. There, she affirms: \u201cthere was staff of excellent professors who taught you the first steps,\u201d the secrets of drawing, engraving or sculpture. But that school enlightened, opened a wide range of knowledge, it put the students into contact with Cuban art and with the maestros of universal art at a very early age.<\/span><\/p>\n

All that knowledge enabled her to make her dream come true of entering the Academy. Ever since she set foot there she felt sheltered and enveloped by a magical and oneiric world: \u201cIt wasn\u2019t a shock, because everything went very smoothly,\u201d she notes in a conversation with OnCuba.<\/span><\/p>\n

\"\"<\/a><\/p>\n

In 1997 she graduated from San Alejandro in the specialty of painting and, to the surprise of many, she did so with a performance she conceived with the backing of a young actor (Oscar Ascencio): \u201cIt was the story of a mask, which is the symbol with which I still work. That mask was a human being telling his experiences since his birth as an individual in a society full of stereotypes, up to the awakening of his interior conscience which drove him, in a fierce struggle with himself, to come out of the farce but keeping the mask, semi-hidden, to face the dilemmas of life. Because life has a great deal of theater. All of us, in certain circumstances, become actors and represent what we really are not,\u201d she categorically says.<\/span><\/p>\n

NUR is beginning her creative trial and errors. She tried sculpture and engraving, a specialty that to her \u201cseemed very interesting, but slow and difficult.\u201d She became aware that drawing and painting came easier for her and she started with brushstrokes and, later on, to use acrylic paint as a fundamental element: \u00a0\u201cthere\u2019s something that happens to me and perhaps it has to do with the milieu in which I was born and grew up. For me it is easy to achieve a three-dimensional appearance in the two dimensions, that is, on paper, on canvas or on wood.\u201d<\/span><\/p>\n

\"\"<\/a><\/p>\n

Although she paints on canvas or draws on bristol board, her \u201cfavorite\u201d is wood, a support that has a very particular magic, especially if it has formed part of a piece of furniture, of a window, a rocking chair or a door, because it bears implicit the emotional charge of that story.<\/span><\/p>\n

Figuration has allowed her to express herself very freely from her own perspective and life experience, based on a clean stroke and the total use of the palette, although she greatly restricted color in her first stages. What has remained intact \u2013 although in permanent evolution \u2013 is the central theme of her work that has to do with her interior vision and introspection: \u201cloneliness, reflection, how we use the masks in front of the world and ourselves; dreams, intimate relations, desires, what we hide. My work is riddled with symbols, but my intention is that they be easy to recognize, that people can appreciate and enjoy the story I want to tell and even that they can frequently feel identified with it.\u201d<\/span><\/p>\n

\"Photo:<\/a><\/p>\n

She recognizes that she has \u201ca great deal of influences\u201d and one of them comes from Mexican painter Frida Kahlo. Apparently she has nothing to do with it, but \u201cFrida was my first inspiration because she worked profusely the self-portrait and her work focuses on self-reflection.\u201d She also recognizes \u2013 and is grateful to \u2013 what painter Roc\u00edo Garc\u00eda<\/a> contributed to her as a professor, because \u201cshe broadened the concept I had of art, opening my mind and my creativity to new roads.\u201d<\/span><\/p>\n

Later on NUR approached gothic art and byzantine painting: \u201cthe medieval world entrapped me because of how the canvases and pigments were used, and that made me change the way of focusing the themes as well as the way of painting.\u201d She comments that her imagery is close to that of Remedios Varo (1908-1963), a Spanish painter established in Mexico, and that she admires the Cubans Eduardo Abela, Ernesto Ranca\u00f1o, \u00c1ngel Ram\u00edrez and Carlos Guzm\u00e1n \u2013 closer in terms of generation. She finds points of contact and also numerous differences between the aesthetics of these artists and the one she cultivates.<\/span><\/p>\n

\"Photo:<\/a><\/p>\n

NUR\u2019s work exhibits a very interesting characteristic: the importance and weight she grants to the backgrounds. It could be that the story is being told by a character who appears in the foreground, but behind there is a numerous group of elements that are giving shape or rounding off ideas and, above all, intentions. On the other hand, the delicate eroticism and the subtle sensitivity of many of her pieces are strengthened by colorful planes that refer us to certain design codes.<\/span><\/p>\n

The dwelling she represents \u2013 backed by an intelligent and very well-thought-out perspective of space -, combines with that of the wardrobe design, an essential element that gives beauty and transmits additional information to the spectator.<\/span><\/p>\n

However, she leaves a margin for a trained eye to delve beyond what is presented at first sight. As NUR says: \u201cit\u2019s necessary to continue working because there will always be stories to be told.\u201d And many of them are still hidden.<\/span><\/p>\n

\n

LOCALIZATION:<\/span><\/p>\n

 <\/p>\n

NurArt.Gallery Studio: Calle B, no. 21, entre 1ra. y 3ra., apto 4, El Vedado, Havana, Cuba<\/span><\/p>\n

Email: <\/span>nurediem@gmail.com<\/span><\/a><\/p>\n

Tel.: 78300772 \/ 53028648<\/span><\/p>\n

Facebook: @Nur.Art.Pure<\/span><\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Mar\u00eda Stefania Diez Moreno, NUR (Havana, 1978). Daughter of renowned craft artists, her home was also the site where visual artists, musicians, poets, craftspeople and theater people frequently gathered: \u201cever since I was a child I felt the need to paint. I was only interested in that\u2026. My parents took me to the Visual Arts […]<\/p>\n","protected":false},"author":2480,"featured_media":185698,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[33],"tags":[14900,72,14850,14901,14902],"ppma_author":[33682,7146],"class_list":["post-185697","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture","tag-contemporary-arts","tag-cuba-en","tag-cuban-arts","tag-cuban-painter","tag-painting"],"acf":[],"yoast_head":"\nNUR: \u201cThere Will Always be Stories to be Told\u201d | OnCubaNews English<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/oncubanews.com\/en\/culture\/nur-there-will-always-be-stories-to-be-told\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"NUR: \u201cThere Will Always be Stories to be Told\u201d | OnCubaNews English\" \/>\n<meta property=\"og:description\" content=\"Mar\u00eda Stefania Diez Moreno, NUR (Havana, 1978). 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