{"id":211260,"date":"2019-12-24T14:08:42","date_gmt":"2019-12-24T19:08:42","guid":{"rendered":"https:\/\/oncubanews.com\/en\/?p=211260"},"modified":"2019-12-24T14:08:42","modified_gmt":"2019-12-24T19:08:42","slug":"archives-of-consciousness-six-cuban-artists-at-u-s-fairfield-university","status":"publish","type":"post","link":"https:\/\/oncubanews.com\/en\/culture\/visual-arts\/archives-of-consciousness-six-cuban-artists-at-u-s-fairfield-university\/","title":{"rendered":"\u201cArchives of Consciousness,\u201d six Cuban artists at U.S. Fairfield University"},"content":{"rendered":"

The art museum of Fairfield University, in Connecticut, will exhibit for the first time in its nine years the work of <\/span>Cuban plastic artists<\/span><\/a>.<\/span><\/p>\n

Creators dissimilar to each other like Roberto Diago, Manuel Mendive, Eduardo Roca (\u201cChoco\u201d), Abel Barroso, <\/span>Mabel Poblet<\/span><\/a>, and Luis Enrique Camejo, meet in the show to begin (and continue) the conversation about what many call \u201cCuban exceptionality.\u201d<\/span><\/p>\n

\"\"<\/a>
\u201cThe Duck,\u201d 2019, by Eduardo Roca Salazar, \u201cChoco.\u201d Image courtesy Fairfield University.<\/figcaption><\/figure>\n

In the words of presentation, the organizers indicate that this exhibition is an invitation to witness the struggles and experiences of life in the revolutionary society of Cuba. Together, they illuminate the many ways in which artists are at the forefront of the debate, challenge and criticism of a communist state that has survived six decades of U.S. hostility, partly through the regulation of personal freedom and the prohibition of dissent.<\/span><\/p>\n

The exhibition insists on pointing out the context in which <\/span>relations between Cuba and the United States<\/span><\/a> are currently going through from an unprecedented opening to a point of crisis and radicalization. That\u2019s when the exhibition \u201ctalks\u201d about the ways in which power systems exert control over individuals and their efforts to gain understanding.<\/span><\/p>\n

\"\"<\/a>
\u201cThe Truck,\u201d 2006, by Luis Camejo Vento. Image courtesy Fairfield University.<\/figcaption><\/figure>\n

The words of presentation point out that through images that converge regularly and sometimes come into conflict, the six participating artists question the limits of liberation reached so far, not only in Cuba, but in all modern societies, including that of the United States, and that their works question how gender, racial, sexual, religious, commercial, technological and even business mythologies inhabit our identities and influence our destinies.<\/span><\/p>\n

\"\"<\/a>
\u201cDerailed,\u201d 2015, by Mabel Poblet Pujol. Image courtesy Fairfield University.<\/figcaption><\/figure>\n

Carey Mack Weber, executive director of the Fairfield University art museum, told OnCuba<\/strong> that the preparation of the show also allowed for close work between the departments of History, the Spanish language and Latin American studies.<\/span><\/p>\n

\u201cWe were lucky to meet Steve Certilman, from whose vast collection of Cuban art we took the 52 pieces that make up this exhibition,\u201d Weber said.<\/span><\/p>\n

Starting then, curators Dr. Lillian Guerra and Dr. Arianne Kolb decided to focus on the six main artists that made up the Certilman collection.<\/span><\/p>\n

\"\"<\/a>
\u201cLounge Chair,\u201d 2015, by Abel Barroso Arencibia. Image courtesy Fairfield University.<\/figcaption><\/figure>\n

Titled \u201cArchives of Consciousness,\u201d the bilingual exhibition insists on the questioning ability of Cuban art, not only about its reality, but about universal feelings such as disappointment, pain, beauty, healing, protest and resilience of that \u201ccollective consciousness\u201d of this group of works.<\/span><\/p>\n

The different styles and techniques of the participating artists allow us to reflect on the multiple contradictions of the human being, and the force involved in facing those internal contradictions.<\/span><\/p>\n

\"\"<\/a>
\u201cStudy No. 3 for the Mountains,\u201d 2007, by Juan Roberto Diago Durruthy. Image courtesy Fairfield University.<\/figcaption><\/figure>\n

The exhibition will begin at the Walsh Gallery of the museum (at the Quick Center for the Arts) on the night of January 23, with a lecture by Dr. Lillian Guerra, followed by a reception with Cuban music by Ariacne Trujillo Durand.<\/span><\/p>\n

It will be open with free admission to the public until May 15, 2020.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

The art museum of Fairfield University, in Connecticut, will exhibit for the first time in its nine years the work of Cuban plastic artists. Creators dissimilar to each other like Roberto Diago, Manuel Mendive, Eduardo Roca (\u201cChoco\u201d), Abel Barroso, Mabel Poblet, and Luis Enrique Camejo, meet in the show to begin (and continue) the conversation […]<\/p>\n","protected":false},"author":3134,"featured_media":211261,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[13919],"tags":[15244,14850],"ppma_author":[33546,8689],"class_list":["post-211260","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-visual-arts","tag-cuban-artists","tag-cuban-arts"],"acf":[],"yoast_head":"\n\u201cArchives of Consciousness,\u201d six Cuban artists at U.S. Fairfield University | OnCubaNews English<\/title>\n<meta name=\"description\" content=\"\u201cYesterday Afternoon,\u201d 2018, by Manuel Mendive Hoyo. 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