{"id":2367,"date":"2013-02-07T10:26:29","date_gmt":"2013-02-07T15:26:29","guid":{"rendered":""},"modified":"2013-02-07T10:26:29","modified_gmt":"2013-02-07T14:26:29","slug":"vallejo-and-i","status":"publish","type":"post","link":"https:\/\/oncubanews.com\/en\/chronicles\/vallejo-and-i\/","title":{"rendered":"Vallejo and I"},"content":{"rendered":"

(Based on a real dream)<\/strong><\/p>\n

The poet sits opposite me. He has that stern face I always see in his photos, with features that seem sculpted with an incompetent ax. At this point I do not remember if he shakes my hand or if he greets me with a trivial phrase. But I do not forget that he seats crossing her legs and looks at me with the sharp eye of a chieftain.<\/p>\n

"I come from a meeting with Neruda, he said. It was intense." I say nothing. I merely observe his dark and old jacket; I stretch my arm and drink a glass of something that apparently is water. Then, the shock: "I want you to hear what I recently wrote."<\/p>\n

It’s too good to be true. Cesar Vallejo is just a couple of meters from me, and he wants to read me some unpublished verses. But I’m too proud even in dreams , I guess that, because I hide my surprise as he pulls out a yellowish piece of paper from his pocket. <\/p>\n

Now he reads. With all the metaphysical air in the world, César Vallejo reads "A man is looking at a woman …" and I immodestly say "I know that verse,” and he replies" No, I just write it." I try to prove otherwise and I recite with him the whole stanza ( "a man is looking at a woman, \/ is looking immediately \/ with your sumptuous bad ground \/ and look at both hands \/ and tomb two breasts \/ and The two men move "), but everything is meaningless, because Vallejo ignores me and continues engrossed in the pastern.<\/p>\n

He whistles the ¨s¨, as befits those born in Santiago de Chuco. " Carpentier did the same with the r" I say, and he alludes, I do not know why, to a Marxist quotation. Daring, I ask him for Georgette. "I do not know who she is," he replies. I feel I’ve been dodged, that he mocks and provokes me: "Actually, I dislike your prose. Not even Paco Yunque escapes from this "… He ignores me protected in his long straight hair covered with gel.<\/p>\n

I do not remember what happened after he referred to Robert Desnos and Tristan Tzara. I do not know what he said on them, although I know that he said something. B ut I remember that at some point I recited Espergesia; I stated the most sublime poetry of Spanish language, unsurpassed by Quevedo, Borges and Machado, were all in ¨Los Heraldos Negros¨ (The Black Heralds), and I also recognized I envy his poem ¨Bordas de Hielo .¨<\/p>\n

That is a corny poem, said he. "It’s the best corny poem of literature," I replied. After that (or was it before?) I felt I saw him smile, and I took advantage to tell two of my poems. Two poems of which only a couple of lines survive in my mind: "Your name is the shadow of my name \/ It duplicates mine, or almost, but never reverses it ".<\/p>\n

That picture is clear in my mind: Vallejo gently celebrated me and found my verses had some similarities with someone´s called Velar Jolasec that I falsely told I knew who he was. "That Polish was unsurpassed, “he said. "Yes, the Poles are colossal," I added.<\/p>\n

From that moment my dream is blurred, and I presume I woke up soon. Or, who knows, maybe it was immediately. Perhaps all happened in a few seconds, or maybe lasted all night. But the true, reliable, or terrible thing is that now I write with Vallejo before my eyes, intact and rigorous, as indigenous ghosta with his legs crossed.
\n  <\/p>\n","protected":false},"excerpt":{"rendered":"

(Based on a real dream)<\/strong><\/p>\n

The poet sits opposite me. He has that stern face I always see in his photos, with features that seem sculpted with an incompetent ax. At this point I do not remember if he shakes my hand or if he greets me with a trivial phrase. But I do not forget that he seats crossing her legs and looks at me with the sharp eye of a chieftain.<\/p>\n","protected":false},"author":2357,"featured_media":5439,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[30],"tags":[],"ppma_author":[33663],"class_list":["post-2367","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-chronicles"],"acf":[],"yoast_head":"\nVallejo and I | OnCubaNews English<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/oncubanews.com\/en\/chronicles\/vallejo-and-i\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Vallejo and I | OnCubaNews English\" \/>\n<meta property=\"og:description\" content=\"(Based on a real dream) The poet sits opposite me. 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