
{"id":255148,"date":"2022-07-10T07:26:51","date_gmt":"2022-07-10T11:26:51","guid":{"rendered":"https:\/\/oncubanews.com\/en\/?p=255148"},"modified":"2022-07-10T07:26:51","modified_gmt":"2022-07-10T11:26:51","slug":"havana-at-your-feet","status":"publish","type":"post","link":"https:\/\/oncubanews.com\/en\/cuba\/havana-at-your-feet\/","title":{"rendered":"\u201cHavana at your feet\/ I would not know how to love you any other way\u201d"},"content":{"rendered":"<p><span style=\"font-weight: 400;\">It\u2019s almost ready. Some color adjustments, the transfer to Digital Signal Processing (DSP) of the material and <\/span><i><span style=\"font-weight: 400;\">La Habana de Fito<\/span><\/i><span style=\"font-weight: 400;\">, a documentary by Cuban filmmaker Juan Pin Vilar, would be ready to be served to viewers in Cuba and the world. More than one hundred minutes of vibrant testimonies, interviews and archive images put into context the endearing relationship of Fito P\u00e1ez, an essential figure of rock in Spanish, with the city and its intense and contradictory future.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">In Havana Fito has sung, made friends, loved and has been a participant in the joys and sorrows of the common citizen, the one to whom he attributes a generosity and a capacity to rejoice that is disappointment-proof.<\/span><\/p>\n<figure style=\"width: 1024px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/oncubanews.com\/wp-content\/uploads\/2022\/07\/2-8-1024x768.jpg\" alt=\"During the filming of the main interview. Havana 2022.\" width=\"1024\" height=\"768\" \/><figcaption class=\"wp-caption-text\">During the filming of the main interview. Havana 2022.<\/figcaption><\/figure>\n<p><span style=\"font-weight: 400;\">The film\u2019s mainstay comprises several interviews with the Argentinian singer-songwriter, in Havana and Buenos Aires. He narrates how the threads of a reciprocal love between him and the capital of Cuba, a place where he has several generations of followers, were intertwined. Contributing to the story, and in what way, are the testimonies of Pablo Milan\u00e9s, Cecilia Roth, Carlos Alfonso, Ele Vald\u00e9s, Luis Alberto Garc\u00eda and Wendy Guerra, among others; sometimes as exceptional witnesses \u2014 Cecilia was his partner on part of that tour \u2014 and others as mere spectators, young people who felt that Fito\u2019s songs spoke directly to them.<\/span><\/p>\n<figure style=\"width: 720px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/oncubanews.com\/wp-content\/uploads\/2022\/07\/5-7.jpg\" alt=\"Juan Pin and actor Luis Alberto Garc\u00eda, one of the interviewees. Cathedral Squar\" width=\"720\" height=\"720\" \/><figcaption class=\"wp-caption-text\">Juan Pin and actor Luis Alberto Garc\u00eda, one of the interviewees. Cathedral Squar<\/figcaption><\/figure>\n<p><span style=\"font-weight: 400;\">Fito\u2019s first \u2014 fleeting \u2014 contact with Havana occurred in April 1987, when he came to participate in the 6th Varadero Popular Music Festival. This edition of the event is remembered for the meeting of luminaries such as Mar\u00eda Bethania, Chico Buarque, Gilberto Gil, Irakere, Harry Belafonte, Van Van, Silvio and Elena Burque, among others. But, above all, it is memorable for the debut of a very thin and gangly boy who sang, with his whole body, pieces of wild pain. On that occasion, we Cubans collided live with a rock in Spanish that was not epigonal or mimetic, but rather came charged with the recognition and assumption of being Latin American. Fito won the public\u2019s heart and the public won Fito\u2019s heart, which had been broken after a huge family tragedy.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The artist has spoken about the latter on several occasions, and in the documentary, once again, he expresses it. His trip to Cuba, at the invitation of Pablo Milan\u00e9s, literally saved his life. A year earlier, an aunt and his grandmother had been murdered in the city of Rosario. Pablo, as he himself tells it, saw in the Argentinian\u2019s euphoria, in his bright eyes, the mark of pain and offered him the only remedy within his reach: to sing, to remake himself, to perform the prodigy of turning his music into the expression of many. Without that opportunity for contact with the Cuban people, Fito acknowledges, he would not be the same.<\/span><\/p>\n<figure style=\"width: 1024px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/oncubanews.com\/wp-content\/uploads\/2022\/07\/3-7-1024x576.jpg\" alt=\"During the filming of the main interview. Havana 2022.\" width=\"1024\" height=\"576\" \/><figcaption class=\"wp-caption-text\">During the filming of the main interview. Havana 2022.<\/figcaption><\/figure>\n<p><span style=\"font-weight: 400;\">Juan Pin Vilar set out to create a work that was not nostalgic. But he didn\u2019t quite achieve it. You can\u2019t ask Cuban Fito fans not to be assaulted again and again by the sweet sentiment. Impossible for those who were present at his concert in the Plaza de la Revoluci\u00f3n in December 1993 (100,000 people, <\/span><a href=\"https:\/\/elpais.com\/diario\/1993\/12\/07\/cultura\/755218809_850215.html\" target=\"_blank\" rel=\"noopener\"><b>according\u00a0 to the Spanish newspaper <\/b><b><i>El Pa\u00eds<\/i><\/b><\/a><span style=\"font-weight: 400;\">), not to shudder at the images. Well, it\u2019s not just a matter of reviewing a moment, but of remembering who we were then, when we fell in love and sang \u201cCable a tierra,\u201d \u201c11 y 6,\u201d \u201cAmbar violeta,\u201d \u201cGiros\u201d&#8230;. The same thing happens with those who were present in October 2014 (Leo Brouwer Music Festival) and in June 2016 (closing concert for the 30th anniversary of the <\/span><i><span style=\"font-weight: 400;\">Giros<\/span><\/i><span style=\"font-weight: 400;\"> record) at the Karl Marx, where the singer from Rosario set fire to the nights.<\/span><\/p>\n<div class=\"jeg_video_container jeg_video_content\"><iframe loading=\"lazy\" title=\"FITO PAEZ en La Habana 1993.\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/yg7ArsqZXL0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<p><span style=\"font-weight: 400;\">\u201cHabana,\u201d the song that Fito dedicated to the city, had its world premiere in Lenin Park in May 1997, during a concert in solidarity with AIDS patients organized by Pablo Milan\u00e9s, and which was also joinced by Joaqu\u00edn Sabina. Precisely that very inspired piece is now heard in the documentary with a new arrangement, specially made for the occasion, in the voices of Pablo Milan\u00e9s, Pancho C\u00e9spedes, Cimafunk and, of course, Fito. A gift of incalculable artistic value.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The project <\/span><i><span style=\"font-weight: 400;\">La Habana de Fito<\/span><\/i><span style=\"font-weight: 400;\"> obtained one of the economic supports for its realization from the second edition of the Fund for the Promotion of Cuban Cinema. The script and direction were carried out by Juan Pin Vilar (Havana, 1963), who had the collaboration of Ricardo Figueredo and Josu\u00e9 Garc\u00eda (production), Ra\u00fal Prado (photography), Marian Quintana (editing) and Velia D\u00edaz de Villalvilla. (soundtrack).<\/span><\/p>\n<figure style=\"width: 720px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/oncubanews.com\/wp-content\/uploads\/2022\/07\/4-5.jpg\" alt=\"Juan Pin and photographer Ra\u00fal Prado at work.\" width=\"720\" height=\"747\" \/><figcaption class=\"wp-caption-text\">Juan Pin and photographer Ra\u00fal Prado at work.<\/figcaption><\/figure>\n<p><span style=\"font-weight: 400;\">Juan Pin has directed for Cuban television more than one hundred broadcasts in different genres, among them the fictional materials <\/span><i><span style=\"font-weight: 400;\">Una noche con Nora<\/span><\/i><span style=\"font-weight: 400;\"> (1988), <\/span><i><span style=\"font-weight: 400;\">Los jugadores<\/span><\/i><span style=\"font-weight: 400;\">\u00a0(1990),\u00a0<\/span><i><span style=\"font-weight: 400;\">Feliz Cumplea\u00f1os<\/span><\/i><span style=\"font-weight: 400;\">\u00a0(1997),\u00a0<\/span><i><span style=\"font-weight: 400;\">El verdugo<\/span><\/i><span style=\"font-weight: 400;\">\u00a0(2002) and\u00a0<\/span><i><span style=\"font-weight: 400;\">El puente rojo<\/span><\/i><span style=\"font-weight: 400;\">\u00a0(2013). He is also the author of the documentary <\/span><i><span style=\"font-weight: 400;\">Pablo Milan\u00e9s<\/span><\/i><span style=\"font-weight: 400;\"> (2015), not yet shown in Cuba.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">In a few days <\/span><i><span style=\"font-weight: 400;\">La Habana de Fito<\/span><\/i><span style=\"font-weight: 400;\"> will begin its route through festivals and exhibition halls. Let\u2019s wait, expectantly, for the meeting with the Cubans, his natural audience.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The Argentinian has written and sung: \u201cIf we do not choose to live, I would like to die in Havana.\u201d<\/span><b>1<\/b><span style=\"font-weight: 400;\"> Long journey for this new work of national cinematography. Long live Fito; we still need his songs.<\/span><\/p>\n<div class=\"jeg_video_container jeg_video_content\"><iframe loading=\"lazy\" title=\"habana de fito paez\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/OEwh2oDc4zE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<p><span style=\"font-weight: 400;\">Note:<\/span><\/p>\n<p><b>1<\/b><span style=\"font-weight: 400;\"> These, and the verses that make up the title of this note, belong to the song \u201cHabana.\u201d<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>In a few days the documentary \u201cLa Habana de Fito\u201d will begin its route through festivals and exhibition halls. Let\u2019s wait, expectantly, for the meeting with Cubans, his natural audience.<\/p>\n","protected":false},"author":3770,"featured_media":255150,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[13921,13902],"tags":[23160],"ppma_author":[34037],"class_list":["post-255148","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cinema","category-cuba","tag-cinema-in-cuba"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>\u201cHavana at your feet\/ I would not know how to love you any other way\u201d | OnCubaNews English<\/title>\n<meta name=\"description\" content=\"The film\u2019s mainstay comprises several interviews with the Argentinian singer-songwriter, in Havana and Buenos Aires.\" \/>\n<meta name=\"robots\" content=\"index, follow, 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