{"id":260089,"date":"2022-11-09T21:07:10","date_gmt":"2022-11-10T02:07:10","guid":{"rendered":"https:\/\/oncubanews.com\/en\/?p=260089"},"modified":"2022-11-09T21:15:52","modified_gmt":"2022-11-10T02:15:52","slug":"yuliet-abreu-la-papina-de-cuba-sings-to-celia-cruz","status":"publish","type":"post","link":"https:\/\/oncubanews.com\/en\/culture\/yuliet-abreu-la-papina-de-cuba-sings-to-celia-cruz\/","title":{"rendered":"Yuliet Abreu \u201cLa Papina de Cuba\u201d sings to Celia Cruz"},"content":{"rendered":"

\u201cShe is not only a rumba and academy percussionist: she is a top percussionist.\u201d Those were the words I heard from the remarkable orchestral director Zenaida Romeu the first time I saw Yuliet Abreu on stage, playing alongside the Camerata Romeu and the great pianist, arranger and director Gonzalo Romeu in a danz\u00f3n concert. I confess that I was amazed at the mastery of rhythm, above all, of the very special cadence of the danz\u00f3n that implied a wide knowledge of Cuban music by someone so young. Although all this could be expected from a descendant of the Abreus \u2014 one of the legendary families of percussionists and rumberos in Cuba \u2014 Yuliet continued to grow, excels as a band leader, as a conguera and as a singer with very unique qualities. She is aware of what she is inheriting and the commitment she assumes: she comes from Los Papines, she is La Papina de Cuba, and she presents Celia, Cuba te da las gracias<\/em> (Celia, Cuba thanks you), a tribute album to the great Celia Cruz, the first of a Cuban singer of her generation who shouts loud and clear how alive the legacy of La Guarachera de Cuba continues in successive generations.<\/p>\n

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Photo: Laura Ortega for Innovarte Records.<\/figcaption><\/figure>\n

Your first album <\/em>La Papina de Cuba was your letter of introduction in the world of records. And what a presentation! In it you assume the bolero with several classic songs, in particular, \u201cTu voz,\u201d by Ram\u00f3n Cabrera, one of the most extraordinary interpretations of Celia Cruz. Why Celia then and why Celia now? How did the idea of \u200b\u200b<\/em>Celia, Cuba te da las gracias come about? What do you propose with this special and careful musical work?<\/em><\/strong><\/p>\n

The CD La Papina de Cuba<\/em> surprised many. It was a dream come true that together with my dear Leandro \u2014 who is my husband and producer \u2014 I was able to materialize. He was the one who told me: \u201cYou have to do something of Celia\u2019s there.\u201d I always worked with my small format in tourist places, and everyone said: \u201cYour timbre is very similar to Celia\u2019s. I hope someone discovers you.\u201d That music of those times is my favorite. At that time, they really sang. And I chose the bolero \u201cTu voz,\u201d because I saw it in Celia\u2019s series and it fascinated me. Then German Velazco made the masterful arrangement, and I did it!<\/p>\n

And then came this album that I now present: Celia, Cuba te da las gracias<\/em>, which was initially called \u201cCelia y yo.\u201d Omer Pardillo, executor of Celia\u2019s legacy and president of the Celia Cruz Foundation, wrote to Walfrido Rodr\u00edguez \u201cTito,\u201d my manager from the Canary Islands, asking that we please not use Celia\u2019s name because she would not have liked it. Sure, he didn\u2019t know us and, as her executor, he had to safeguard her name. After conversations with him, explaining our purpose, he agreed to support us, seeing that what we were doing came from the heart, with love and respect. Then my manager decided to put \u201cCuba thanks you.\u201d One fine day, Omer told us: \u201cWell, call it \u2018Celia, Cuba thanks you.\u2019\u201d I think that despite everything that is said, La Guarachera knew how to put the name of Cuba high in the world. She deserves it. And this album is made for the 20th anniversary of her death, which will be celebrated next year. It is my humble tribute from my heart.<\/p>\n

I just want to sing the music that makes me happy, and the repertoire chosen by all of us was made with a lot of energy and we put our hearts into making this happen. I am happy with the result it is having.<\/p>\n

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Yuliet Abreu. Photo: Laura Ortega for Innovarte Records<\/figcaption><\/figure>\n

Your dad and uncles knew Celia, mainly Pap\u00edn, who was a percussionist in the Tropicana orchestra at the time when Celia was also a star in Rodney\u2019s shows. I understand that Celia liked the work of Los Papines. What connection do you feel with Celia Cruz? If you do, how do you explain it? Where does this bond between you two come from?<\/em><\/strong><\/p>\n

Celia is part of my life. I feel a special connection with everyone who made music in her time. My dad always listened to her and therefore so did I. I think there is something magical between us. Although I didn\u2019t know her, her style of interpreting is also the pattern that I have followed without imitating, since I am a percussionist by profession. My father always instilled in me to be a musician and an artist. I feel so free when I sing! And for me singing is like talking. When you achieve that, that\u2019s when you are interpreting. I think that\u2019s what people like about my voice; and the timbre resemblance, well I don\u2019t know…I didn\u2019t look for it or imitate it…it came out perhaps, because she, like many from that time, lives in me.<\/p>\n

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Yuliet Abreu with her father, Maestro Jes\u00fas Abreu (Los Papines) and her son Alan Yael. Photo: Laura Ortega for Innovarte Records.<\/figcaption><\/figure>\n

Since your first album and in your live performances, it is evident that you have continued, like no other descendant of the legendary Abreu family, the path of your father and your uncles in percussion. Tell me about how your passion for percussion and rumba arose and developed, because it was not foreseeable that the<\/em><\/strong> Jes\u00fas\u2019s girl would take over the conga drums.<\/em><\/strong><\/p>\n

I was born with percussion, I think. Ha, ha. I was discovered by my piano teacher, Elena Tio Madrigal, and she herself took me to do percussion aptitude tests. The rumba was my day to day. Although I confess that in those days Los Papines were never in Cuba, since they toured internationally, it was a surprise for dad that I entered the conservatory precisely to study percussion. Then, in my 2nd year at the University of the Arts, my uncle Alfredo died, and my cousin Luisito \u2014 Luis\u2019s son \u2014 and I became part of Los Papines. It was very difficult. Above all, the acceptance of a woman within Los Papines, which was always a group of men<\/p>\n

\"\"<\/a>
Photo: Laura Ortega for Innovarte Records.<\/figcaption><\/figure>\n

But in addition to taking the step forward, you continue to vindicate the legacy of Los Papines, of the mythical Abreu brothers, in a job that unites three generations: your dad Jes\u00fas, and a complete prodigy: your little son Alan Yael. It\u2019s amazing how at only 5 years old he plays various percussion instruments, and in particular the way he follows the rhythm on the bongo. Tell me about their participation with you in \u201cYo vivir\u00e9.\u201d Why did you choose it? It suggests to me that it is a declaration of your intentions to keep alive the legacy of Celia and that of Los Papines.<\/em><\/strong><\/p>\n

From a very young age, my son loved to play. His father had bought him a small conga drum, and, to our surprise, he alone decided to play in public at our usual Papines gatherings, and to this day he accompanies us. He loves music and being by his mom\u2019s side. Today, at the age of 9, he is sure that he wants to be a professional musician. My father, what to say! He lives proud of his musician grandson. \u201cYo vivir\u00e9\u201d is a song that I wanted to do, because of its high level of interpretation. It is a very heartfelt piece. What better than this theme to carry it in the style of Papines, this time from the 3 generations. It was also my husband\u2019s idea. We rehearsed it together with my band, until it was constituted, always with the approval of my father. Without him, nothing!<\/p>\n

Alan already feels like a musician. Of course, I went on a tour to the United States with him when I was already 2 months pregnant. Then I returned to Havana, and we did a national tour. All of this, I believe, made him feel impregnated with music from my belly. I never stopped working when I was pregnant. I remember that I did the last concerts barefoot, because the weight did not allow me to wear flashy shoes anymore. When my cesarean was performed, only a short time passed and I started working again, almost with him in my arms, because I did the concerts while someone took care of him. My mom, his dad and many supported me in this.<\/p>\n

The Papines family will not die. Much remains to be done. Perhaps now each one from his position, but as a family, we will all maintain the family legacy. My father simply decided to support us in this mission to somehow preserve the creativity and originality that Los Papines always had. This time from the 3 generations.<\/p>\n

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Photo: Laura Ortega for Innovarte Records.<\/figcaption><\/figure>\n

Tell us about the process of preparing the album <\/em>Celia, Cuba te da las gracias. How did you choose the songs to record, the musicians you would call, the arranger and musical director? To what extent did you work together, how involved were you in directing? How has the relationship with Innovarte Records been in this ambitious and happy project?<\/em><\/strong><\/p>\n

Walfrido Rodriguez, \u201cTito,\u201d at the head of Innovarte Records, is someone who, like me, loves Celia\u2019s music. We showed him part of my work and when he heard \u201cTu voz\u201d, as they say here in Spain, he freaked out. That\u2019s where the idea of \u200b\u200brecording 4 songs initially was born. Tito started choosing the repertoire doing an analysis of the music that she popularized. Little by little we were recording, first 4 songs then 5 more. But I felt that a sensible and softer song was needed, we had many classic songs and guaracheros like her. One day on Facebook I saw a post from someone I follow with the theme \u201cCuando estoy contigo,\u201d by Armando Manzanero. There I said: \u201cThis is the song that was missing from the album!\u201d I called my student Raymond Y. Gonz\u00e1lez, a percussionist graduated by me and who has become my musical right-hand man, and he was the one who, at only 25 years old, made all the arrangements for the album. I told him: \u201cI want to do this song\u201d and with the talent that characterizes him he immediately wrote the harmony, and it was recorded. Many will not believe it: the album was recorded in 5 days. Only when you work with your heart and together does such beautiful music come out. I loved the whole process. I thank Raymond, Leo and Tito for trusting me, helping me and supporting me, and to all the musicians who were there: those from my band, musicians from Habana de Primera; Andy Garc\u00eda, Alain P\u00e9rez\u2019s pianist and personal friend; guests like guitarists Reinier Mari\u00f1o and Dayron Ortega, the tres player Olivia Soler, Roberto V\u00e1zquez Ley, an excellent bassist and friend, and the great Alexander Abreu who gave me the trumpet solo in \u201cChango ta ven\u00ed,\u201d almost unexpectedly and with great humility.<\/p>\n

\"\"<\/a>
Photo: Laura Ortega for Innovarte Records<\/figcaption><\/figure>\n

The album <\/em>Celia, Cuba te da las gracias collects the sound and energy of the show with which you launch it on the international market. Tell us about the show. How have you articulated it? On a stage level, how do you excel as a singer and percussionist?<\/em><\/strong><\/p>\n

My entrance in Papines was precisely for that: to work as a singer and percussionist. I had to exploit that possibility. It was also time to make music once again with my son and my father and I simply combined to do it through 3 generations in a different way, with the tribute to Celia Cruz, where we all made an effort for the show to go through various instruments of percussion. \u200b\u200bmy husband\u2019s idea, he really has a magical vision of the show<\/p>\n

What are your plans with the album and the show? International tours? Concerts?<\/em><\/strong><\/p>\n

I try to honor La Guarachera in a different way. I am very grateful to God, to Osh\u00fan and Chang\u00f3, my Osha parents, for always being with me. To my godparents, my husband, my father, my musicians, my arranger. To Jos\u00e9 Ra\u00fal Varona, recorder and masterizer, to Abel Ferro who designed the cover, to the entire production team that accompanies me. In particular, to Omer Pardillo for his unconditional support in this project. To Innovarte Records and its entire team for their trust, and to all those who, in one way or another, in Havana, Tenerife and Madrid, have had to do with this dream come true, in particular the GF Victoria Hotel, which opened its doors for the world premiere. Anyway, sorry if I have left someone out. With the launch on October 21 of the first song, \u201cYo vivir\u00e9,\u201d we already began to expand around the world with this simple, but very heartfelt tribute to the great Celia Cruz.<\/p>\n","protected":false},"excerpt":{"rendered":"

Interview about the album \u201cCelia, Cuba te da las gracias\u201d.<\/p>\n","protected":false},"author":3546,"featured_media":260091,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[33,13923],"tags":[17774,5160],"ppma_author":[13504],"class_list":["post-260089","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture","category-music-culture","tag-celia-cruz","tag-yuliet-abreu-en"],"acf":[],"yoast_head":"\nYuliet Abreu \u201cLa Papina de Cuba\u201d sings to Celia Cruz | OnCubaNews English<\/title>\n<meta name=\"description\" content=\"Interview about the album \u201cCelia, Cuba te da las gracias\u201d.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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