
{"id":267012,"date":"2023-03-21T16:14:39","date_gmt":"2023-03-21T20:14:39","guid":{"rendered":"https:\/\/oncubanews.com\/en\/?p=267012"},"modified":"2023-03-21T16:14:39","modified_gmt":"2023-03-21T20:14:39","slug":"the-ball-is-round-baseball-politics-and-the-nation","status":"publish","type":"post","link":"https:\/\/oncubanews.com\/en\/opinion\/columns\/our-life\/the-ball-is-round-baseball-politics-and-the-nation\/","title":{"rendered":"The ball is round\u2026 Baseball, politics and the nation"},"content":{"rendered":"<p><span style=\"font-weight: 400;\">\u201cThe passion begins,\u201d I always heard at the beginning of the broadcasts of ball games in Cuba. \u201cBall\u201d was synonymous with passion on the island for a long time, although it alluded more to sexuality. \u201cWhat a ball Carlota has,\u201d said a rumba by Alberto Villal\u00f3n.<\/span><\/p>\n<p><a href=\"https:\/\/oncubanews.com\/deportes\/beisbol\/cuba-estados-unidos-el-otro-clasico-empieza-ahora\/\" target=\"_blank\" rel=\"noopener\"><b>Cuba played at the World Baseball Classic semifinal this Sunday<\/b><\/a><span style=\"font-weight: 400;\">, with a team made up of players from its national league and professional leagues, which has relaunched baseball as a national passion.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">In the best tradition, everything is discussed. Among others, the debates on the name of Team Asere for the team members, the claims not to politicize the sport, and the type of makeup that the Cuban team supposes, topics that run through this text, perhaps have a greater scope.<\/span><\/p>\n<p><b>The asere<\/b><\/p>\n<p><span style=\"font-weight: 400;\">The name of Team Asere was born from a meme and caught on until it stayed. Some have pointed out \u201cvulgarity\u201d in the phrase. It is an old problem of Cuban culture and its \u201canxiety,\u201d as the U.S. academy likes to say, to acknowledge the difficulty of accepting \u2014 and above all of including \u2014 popular and racialized expressions.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Asere is a Cuban term \u201cloosely translatable in its use as \u2018brother,\u2019 which means a good or trusted friend.\u201d<\/span><sup><b>1<\/b><\/sup><span style=\"font-weight: 400;\"> For the Abaku\u00e1 culture of Cuba, according to Pedro P\u00e9rez Sarduy, as in the old Carabal\u00ed religion, it is a form of greeting. For Sergio Vald\u00e9s Bernal, its use is part of the sub-Saharan linguistic legacy in Cuban Spanish, \u201canother identity nuance of our variant of the Spanish language.\u201d<\/span><sup><b>2<\/b><\/sup><\/p>\n<p><span style=\"font-weight: 400;\">Due to its origin, the expression has historically been marked with \u201cvulgarity.\u201d Juan Formell questioned many times the vision of public dances as spaces where only \u201cthe aseres,\u201d \u201cthe toughies\u201d went, when, according to the founder of the Van Van, it was a cultural event of great importance for the Cuban nationality.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">However, Formell\u2019s phrase has an echo throughout national history.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Dances in meeting places for the poor and blacks have always been accused of \u201cdegenerating into a scandal.\u201d A party held in 1936 in Llin\u00e1s and Subirana (Havana) was dissolved by a police captain who arrested the \u201cmen and women who scandalously danced sones and rumba\u201d for \u201cmoral offenses.\u201d<\/span><sup><b>3<\/b><\/sup><\/p>\n<p><span style=\"font-weight: 400;\">Cuban popular culture learned to deal with it. Ignacio Pi\u00f1eiro composed \u201cLos cantares del abacu\u00e1\u201d (1923), with terms typical of that culture: \u201cThe bong\u00f3 goes out of tune \/ If we don\u2019t sing Asere, asere, asere.\u201d Arsenio Rodr\u00edguez sang \u201cLos Sitios asere \/ is called a happy barrio.\u201d<\/span><sup><b>4<\/b><\/sup><span style=\"font-weight: 400;\"> Both of them, together with Mar\u00eda Teresa Vera, were the first to incorporate expressions of Afro origin in Cuban popular music, in a context in which their liturgical celebration was literally a crime, accused of \u201cwitchcraft.\u201d<\/span><\/p>\n<div class=\"jeg_video_container jeg_video_content\"><iframe loading=\"lazy\" title=\"Los cantares del abaku\u00e1 (Remastered)\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/xoU7jlxWYpE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<p><span style=\"font-weight: 400;\">Today, they are classics of Cuban national and universal culture. George Gershwin used the famous \u201c\u00c9chale salsita,\u201d by Pi\u00f1eiro, in the introduction to his \u201cCuban Overture.\u201d Arsenio is one of the founding fathers of Latin jazz. Mar\u00eda Teresa Vera is the founding mother of the Cuban <\/span><i><span style=\"font-weight: 400;\">trova<\/span><\/i><span style=\"font-weight: 400;\"> recognizable around the globe.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The term asere reminds us that the slave barrack, like the independence war and the port market, are the central sources of Cuban culture. It also happens with the terms <\/span><i><span style=\"font-weight: 400;\">palo<\/span><\/i><span style=\"font-weight: 400;\"> (coitus), <\/span><i><span style=\"font-weight: 400;\">tumbadero<\/span><\/i><span style=\"font-weight: 400;\"> (brothel); <\/span><i><span style=\"font-weight: 400;\">botar paja<\/span><\/i><span style=\"font-weight: 400;\"> (masturbation) and <\/span><i><span style=\"font-weight: 400;\">bollo<\/span><\/i><span style=\"font-weight: 400;\"> (vulva), which are transpositions of the culture of the sugar mill into Cuban popular speech.<\/span><sup><b>5<\/b><\/sup><\/p>\n<p><span style=\"font-weight: 400;\">These terms are marks of the violence that gave birth to Cuban nationality, of the forms of sociability that resisted slavery, and of the centrality of racism in the production of national culture from its origins until today.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Ricardo S\u00e1nchez Porro picks up a theory according to which the term <\/span><i><span style=\"font-weight: 400;\">lukum\u00ed<\/span><\/i><span style=\"font-weight: 400;\">, used in Cuba to identify even different cultural expressions, perhaps \u201crefers to the treatment between equals that the Yoruba gave themselves,\u201d which is \u201cas saying asere today.\u201d<\/span><sup><b>6<\/b><\/sup><\/p>\n<p><span style=\"font-weight: 400;\">The current use of asere perhaps expresses like no other word \u2014 sir, comrade, mister, pana \u2014 the demands for equality and inclusion, for equal treatment, in today\u2019s Cuba, and the complexities of how to achieve it.<\/span><\/p>\n<p><b>The \u201cpoliticization\u201d of the sport<\/b><\/p>\n<p><span style=\"font-weight: 400;\">The first official baseball club arose in Cuba in 1868. The first competition was held in 1878. It is the period of the Great War. Its diffusion in Cuba responded to a political context: the image of American modernity, and not the reality of Spanish colonial oppression, should provide, says Lisandro P\u00e9rez, the desirable symbols for a nascent nationality committed to a \u201cclearly modernist, progressive and secular orientation.\u201d<\/span><sup><b>7<\/b><\/sup><\/p>\n<p><span style=\"font-weight: 400;\">The most prominent of those symbols was baseball, which quickly became filled with Cubanisms that were rarely translated from English, such as \u201cponche.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The Cuban emigration in New York in the 19th century, as soon as they learned English, says Jesse Hoffnung-Garskof, discussed baseball while paying homage to Maceo.<\/span><sup><b>8<\/b><\/sup><\/p>\n<p><span style=\"font-weight: 400;\">A cartoon \u2014 reminiscent of the name \u201cold cat\u201d for Baseball \u2014\u00a0 reveals the Spanish animosity towards baseball, its association with the United States and the political references that baseball\u2019s phrases inferred against the colonial regime.<\/span><\/p>\n<p>https:\/\/youtu.be\/YSu4dNYwyqE<\/p>\n<p><span style=\"font-weight: 400;\">On the other hand, baseball, especially professional baseball \u2014 amateurism was for decades an aristocratic luxury, which made Kid Chocolate exclaim, in the boxing field, that he couldn\u2019t afford to be an Olympic champion \u2014 was a channel for social mobilization.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">It represented one of the few avenues available for poor people to \u201cget ahead\u201d as well as dignify the \u201cblack race.\u201d This is how the anti-racist movements of the first half of the 20th century celebrated Cuban and foreign athletes such as Kid Charol, Black Bill, Jos\u00e9 \u2014 the <\/span><i><span style=\"font-weight: 400;\">Diamante Negro<\/span><\/i><span style=\"font-weight: 400;\"> \u2014 M\u00e9ndez, or Jesse Owens.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Roberto Gonz\u00e1lez Echeverr\u00eda has shown another facet of the nationalist politicization of baseball in Cuba, by studying the emergence of players from the interior of the country in the 1930s and 40s, who embodied \u201can ideal type of the Republic.\u201d<\/span><sup><b>9<\/b><\/sup><\/p>\n<p><span style=\"font-weight: 400;\">Those players were <em>guajiros<\/em> (peasants), the mythical site of the \u201credeeming bush.\u201d They represented \u201ca kind of amateur aristocracy,\u201d used by the nationalism reworked in Cuba after the revolution of 1930. \u201cEl Guajiro de Laberinto,\u201d Conrado Marrero, was one of them.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Part of this process was the 1940 Constitution, the first, perhaps in the world, to recognize racial discrimination as a punishable crime, and to ensure affirmative action mechanisms for discriminated sectors.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Baseball played a role here: the Sports Department was required, in Pr\u00edo\u2019s time, to put an end to \u201cdiscriminatory practices in amateur sports and especially in baseball, where the exclusion of blacks became a \u2018scandal\u2019.\u201d<\/span><sup><b>10<\/b><\/sup><\/p>\n<p><span style=\"font-weight: 400;\">That is, the link between politics and baseball is well-established in Cuban history. It by no means started in 1959.<\/span><\/p>\n<div class=\"jeg_video_container jeg_video_content\"><iframe loading=\"lazy\" title=\"El juego de Cuba\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/Hsj0k-a5OrE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<p><b>Makeup of the team to the Classic: politics and sport<\/b><\/p>\n<p><span style=\"font-weight: 400;\">The makeup of the current team is not the first conflictive integration that Cuban baseball has experienced in its history.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Cuba had an integrated team, black and white, 47 years before the United States. After 1908, Jos\u00e9 de la Caridad M\u00e9ndez \u201cwas the first great popular idol of sports in Cuba, recognized by whites and blacks.\u201d<\/span><sup><b>11<\/b><\/sup><span style=\"font-weight: 400;\"> Another Cuban, Silvio Garc\u00eda, may have preceded Jackie Robinson in breaking the color barrier in baseball in that country.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">For Ada Ferrer, \u201cmany members of the segregated Negro Leagues in the United States loved to play baseball in Cuba. They could play all their games in world-class integrated stadiums, in a beautiful and fascinating city, without having to suffer the humiliations they suffered in the past of the Jim Crow era.\u201d<\/span><sup><b>12<\/b><\/sup><\/p>\n<p><span style=\"font-weight: 400;\">After the triumph of the Cuban Revolution in 1959, the complete integration between whites and blacks took place in baseball. It happened in 1962, at the beginning of the national series that abolished professionalism (which allowed black players), while denying the tradition of Cuban amateurism in baseball, and its frequent refusal to accept blacks.<\/span><sup><b>13<\/b><\/sup><\/p>\n<p><span style=\"font-weight: 400;\">Since then, another kind of \u201cdisintegration\u201d began. It is the one that is being discussed today about the current team to the Classic: that of the former Cuban professional baseball players \u2014 prohibited at that time from playing baseball in Cuba \u2014, of the Cuban League with respect to professional leagues, and of the cancellation, stigmatization and exclusion of those who played in them.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The succession of successes of this new era was widely celebrated in Cuba, while its competitive prestige strengthened in the world, although under the shadow, not always fair, of not playing against \u201cthe best.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The Cold War also provided context: the use of sports as a State policy to affirm the superiority of a system, in a competition that did not leave any of the contenders unscathed.<\/span><sup><b>14<\/b><\/sup><span style=\"font-weight: 400;\"> Cuba, on its scale, was part of this global process of instrumentalization of sports, in its case as a socialist achievement and a nationalist victory.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">In 2023, the situation is very different. If, as Gonz\u00e1lez Echeverr\u00eda says, \u201cthe symbolism of scoring in baseball is as complicated as a modernist metaphor,\u201d the symbolism of this Classic, and of the team\u2019s makeup, is as complicated as the current Cuban political grammar.<\/span><\/p>\n<div class=\"jeg_video_container jeg_video_content\"><iframe loading=\"lazy\" title=\"FUERA DE LIGA - DOC. INDUSTRIALES. (CENSURADO) Dir: Ian Padron - 2003\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/BdNegHNlp_g?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<p><b>Metaphors and consequences of Team Cuba<\/b><\/p>\n<p><span style=\"font-weight: 400;\">El Classic has generated many symbols, both articulations and contradictions, and perhaps it will yield results for the future.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">For its part, the Cuban government took the first, essential and long-desired step in the integration of professional baseball players. With all its problems (the exclusion of Yasmani Tom\u00e1s is the most scandalous slab of the selective integration criteria), it is also a good metaphor for national integration. There should be no going back.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">On the other hand, the agreement with the MLB was suspended by Trump. The result of the Classic may prompt demands to resume the agreement, also from the United States.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Some eight of the 30 players on the team play <\/span><i><span style=\"font-weight: 400;\">only<\/span><\/i><span style=\"font-weight: 400;\"> in Cuba. It was hard to expect this to be a \u201cnormal\u201d integration. However, they have coexisted with each other, and celebrated their victories with songs from a shared national soundtrack, until now without news that a civil war has broken out in the locker room.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Cuban contradictions have also made an appearance:<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The Cuban government has eagerly accepted the name of Team Asere. However, in 2021, in the face of popular protests, it did not hesitate to call a very large number of \u201caseres\u201d \u201cvandals and criminals\u201d \u2014 the racialized background of these protests does not go unnoticed \u2014, a significant part of whom have been imprisoned to this day with very disproportionate sentences.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">On the other hand, the fundamentalist areas of Cuban exile reject the idea of Team Asere, as if all its members were until today Moncadista pioneers. In this, they have called for a boycott of games and wished for the defeat of the team that \u201cdoes not represent them,\u201d when among them are their idols when they play in the MLB.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The Classic has misplaced many compatriots, which may be part of a more general misplacement about what to do in and with Cuba. Now, no tradition becomes <\/span><i><span style=\"font-weight: 400;\">national<\/span><\/i><span style=\"font-weight: 400;\"> by choice, nor has it been deployed for 150 years without generating consequences and possibilities.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">In a documentary by Rolando D\u00edaz, a fan assures: \u201cthe thing is that everything that the people like is round and square.\u201d Hearing him, and seeing his face when he says it, explains the best declaration of love, and wisdom, that I have heard both about baseball, and about the nucleus of a national policy that deserves to bear that name.<\/span><\/p>\n<div class=\"jeg_video_container jeg_video_content\"><iframe loading=\"lazy\" title=\"redonda y viene\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/yE5rugt4MPk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<p><span style=\"font-weight: 400;\">________________________________________<\/span><\/p>\n<p><b>Notes:<\/b><\/p>\n<p><sup><b>1<\/b><\/sup> <i><span style=\"font-weight: 400;\">Afrocuba. An Anthology of Cuban writing on race, politics and culture<\/span><\/i><span style=\"font-weight: 400;\">, Edited by Pedro P\u00e9rez Sarduy and Jean Stubbs, Ocean, Published in association with the Center for Cuban Studies (New York), 1993, p. 157.<\/span><\/p>\n<p><sup><b>2<\/b><\/sup><span style=\"font-weight: 400;\"> Sergio Vald\u00e9s Bernal, \u201c\u00a1Ay, qu\u00e9 felicidad!, \u00a1c\u00f3mo me gusta hablar espa\u00f1ol!\u201d in <\/span><i><span style=\"font-weight: 400;\">Catauro<\/span><\/i><span style=\"font-weight: 400;\">.\u00a0<\/span><i><span style=\"font-weight: 400;\">Revista Cubana de Antropolog\u00eda<\/span><\/i><span style=\"font-weight: 400;\">. Year 4, number 6. 2002, p.95.<\/span><\/p>\n<p><sup><b>3<\/b><\/sup><span style=\"font-weight: 400;\"> \u201cTres detenidos por la polic\u00eda nacional, ofensas a la moral.\u201d <\/span><i><span style=\"font-weight: 400;\">El Crisol<\/span><\/i><span style=\"font-weight: 400;\">. 26.12.1936.<\/span><\/p>\n<p><sup><b>4<\/b><\/sup><span style=\"font-weight: 400;\"> The texts of both songs appear in the compilation, in two volumes, <\/span><i><span style=\"font-weight: 400;\">\u00a1Oh Cuba Hermosa! El cancionero pol\u00edtico social en Cuba hasta 1958<\/span><\/i><span style=\"font-weight: 400;\">, by Cristob\u00e1l D\u00edaz-Ayala.<\/span><\/p>\n<p><sup><b>5<\/b><\/sup><span style=\"font-weight: 400;\"> Manuel Moreno Fraginals. \u201cEl Ingenio. Complejo econ\u00f3mico social del az\u00facar,\u201d Ciencias Sociales publishers, Havana, 1986, p. 40.<\/span><\/p>\n<p><sup><b>6<\/b><\/sup><span style=\"font-weight: 400;\"> Reinaldo Sanchez Porro. \u201cHistoria de las principales etnias africanas tra\u00eddas a Cuba,\u201d in P<\/span><i><span style=\"font-weight: 400;\">resencia negra en la cultura cubana<\/span><\/i><span style=\"font-weight: 400;\">, Coordination and introduction by Denia Garc\u00eda Ronda, Sensemay\u00e1 publishers, Havana, 2015, p.30<\/span><\/p>\n<p><sup><b>7<\/b><\/sup><span style=\"font-weight: 400;\"> Lisandro Perez. <\/span><i><span style=\"font-weight: 400;\">Sugar, Cigars, and Revolution. The Making of Cuban New York<\/span><\/i><span style=\"font-weight: 400;\">, New York University Press, New York, 2018, p. 6<\/span><\/p>\n<p><sup><b>8<\/b><\/sup><span style=\"font-weight: 400;\"> Jesse Hoffnung-Garskof. <\/span><i><span style=\"font-weight: 400;\">Racial Migrations: New York City and the Revolutionary Politics of the Spanish Caribbean<\/span><\/i><span style=\"font-weight: 400;\">, Princeton University Press, Year: 2019, p. 154.<\/span><\/p>\n<p><sup><b>9<\/b><\/sup><span style=\"font-weight: 400;\"> Roberto Gonz\u00e1lez Echevarr\u00eda, \u201cPeloteros cubanos. Tres testimonios,\u201d <\/span><i><span style=\"font-weight: 400;\">Nueva Sociedad <\/span><\/i><span style=\"font-weight: 400;\">No. 154 March-April 1998, pp. 87-100, see also <\/span><i><span style=\"font-weight: 400;\">Gloria de Cuba: Historia del b\u00e9isbol en la isla<\/span><\/i><span style=\"font-weight: 400;\">, Colibr\u00ed publishers, Madrid, 2004.<\/span><\/p>\n<p><sup><b>10<\/b><\/sup><span style=\"font-weight: 400;\"> Alejandro de la Fuente, <\/span><i><span style=\"font-weight: 400;\">Una naci\u00f3n para todos: Raza, desigualdad y pol\u00edtica en Cuba, 1900-2000<\/span><\/i><span style=\"font-weight: 400;\">. Madrid, Spain: Colibr\u00ed publishers, p. 308.<\/span><\/p>\n<p><sup><b>11<\/b><\/sup><span style=\"font-weight: 400;\"> F\u00e9lix Julio Alfonso and Victor Joaquin Ortega. \u201cDeportistas cubanos negros en la Rep\u00fablica,\u201d in <\/span><i><span style=\"font-weight: 400;\">Presencia negra en la cultura cubana<\/span><\/i><span style=\"font-weight: 400;\">, Coordination and introduction by Denia Garc\u00eda Ronda, Sensemay\u00e1 publishers, Havana, 2015, p.264.<\/span><\/p>\n<p><sup><b>12<\/b><\/sup><span style=\"font-weight: 400;\"> Ada Ferrer. <\/span><i><span style=\"font-weight: 400;\">Cuba. An American history<\/span><\/i><span style=\"font-weight: 400;\">, Scribner, 2021, p. 223.<\/span><\/p>\n<p><sup><b>13<\/b><\/sup><span style=\"font-weight: 400;\"> F\u00e9lix Julio Alfonso and Victor Joaquin Ortega. Ob. cit.<\/span><\/p>\n<p><b><sup>14<\/sup> <\/b><span style=\"font-weight: 400;\">This is a brief reminder of this: The German Federal Republic (GDR) certified its cultural birth as a new nation, after World War II, with the conquest of the soccer world championship in 1954. The USSR celebrated, after many scandals, the triumph of its Olympic basketball team in 1972, against the sport of \u201cimperialism.\u201d In the United States, they celebrated the victory at the 1980 Winter Olympics of its non-professional hockey team over the USSR, nicknamed none other than the \u201cRed Army,\u201d as if it were the final victory over communism. The GDR imposed a model of mass surveillance on athletes, and state doping practices. The latter, with less fame, were also organized in that context by the United States.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Cuba played at the World Baseball Classic semifinal this Sunday, with a team made up of players from its national league and professional leagues, which has relaunched baseball as a national passion.<\/p>\n","protected":false},"author":80,"featured_media":267015,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[17953],"tags":[14947,34639],"ppma_author":[33569],"class_list":["post-267012","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-our-life","tag-cuban-baseball","tag-world-baseball-classic"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>The ball is round\u2026 Baseball, politics and the 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