{"id":310475,"date":"2024-09-30T18:18:58","date_gmt":"2024-09-30T22:18:58","guid":{"rendered":"https:\/\/oncubanews.com\/en\/?p=310475"},"modified":"2024-09-30T18:18:58","modified_gmt":"2024-09-30T22:18:58","slug":"eye-to-the-viewfinder-yosvany-martinez","status":"publish","type":"post","link":"https:\/\/oncubanews.com\/en\/opinion\/columns\/eye-to-the-viewfinder\/eye-to-the-viewfinder-yosvany-martinez\/","title":{"rendered":"Eye to the viewfinder: Yosvany Mart\u00ednez"},"content":{"rendered":"

Yosvany Mart\u00ednez (Matanzas, 1973) studied at the Roberto Diago Professional School of Plastic Arts, in his native province, between 2002 and 2005. From 2005 to 2015 he taught drawing and engraving at the same school.<\/span><\/p>\n

In 2019, he began to use photography, now with professional awareness, as his main means of artistic expression, in the modalities of \u201c\u2018documentary photography\u201d and \u201c\u2018street photography.\u201d Basically using black and white, he has taken to recording the daily life of the cities of Matanzas and Havana. He socializes his work in specialized publications and on social media, where he is an active and frequent presence.<\/span><\/p>\n

\"\"<\/a>
\u201cReflexi\u00f3n.\u201d Old Havana, 2019. From the series \u201cReconstrucci\u00f3n.\u201d<\/figcaption><\/figure>\n
\"\"<\/a>
\u201cFisherman.\u201d Matanzas Bay, 2023. From the series \u201cReconstrucci\u00f3n.\u201d<\/figcaption><\/figure>\n

He has held four solo exhibitions: <\/span>Reconstrucci\u00f3n<\/span><\/i>, 2022, Matanzas Museum of Art; <\/span>Retrospectiva<\/span><\/i>\u00a0 (two-person), 2014, Korimakao Community Artistic Group, Ci\u00e9naga de Zapata; <\/span>\u00c1nimos<\/span><\/i>\u00a0 2007, EPAP Gallery, Matanzas; and <\/span>Diversidad<\/span><\/i>, 2006, CPAV, Matanzas.<\/span><\/p>\n

\"\"<\/a>
N\/t. City of Matanzas, 2021. From the series \u201cReconstrucci\u00f3n.\u201d<\/figcaption><\/figure>\n
\"\"<\/a>
\u201cSpirit.\u201d Matanzas Bay, 2023. From the series \u201cReconstrucci\u00f3n.\u201d<\/figcaption><\/figure>\n

What is unique about the photographic work that Yosvany Mart\u00ednez shows us today is the integration of the human being with the landscape, whether urban or rural. He does not describe the environment in which the characters he captures live, but rather captures them as compositional elements, in a univocal relationship. His gaze in these images has a hint of compassionate melancholy, as if the act of living lacked sufficient reasons for celebration.<\/span><\/p>\n

\"\"<\/a>
N\/t. Old Havana, 2023. From the series \u201cReconstrucci\u00f3n.\u201d<\/figcaption><\/figure>\n
\"\"<\/a>
N\/t. City of Matanzas, 2023. From the series \u201cReconstrucci\u00f3n.\u201d<\/figcaption><\/figure>\n

He has wanted to show a part of the series that gives title to his most recent solo exhibition. Let\u2019s hear what he has to say:<\/span><\/p>\n

\u201c<\/span>Reconstrucci\u00f3n<\/span><\/i> is an exhibition with which I intend to discuss how much knowledge, memories, and spiritual experiences that visit us from the past influence our lives, both individually and collectively, and how they shape and mark the way we act in the present; memories that come to us as small flashes of energy in different circumstances to then become decisions.<\/span><\/p>\n

\u201c\u2018In this case, photography is used to refer to those small moments, and they can be interpreted as d\u00e9j\u00e0 vu that invite us to ask ourselves where we are or who we are, and how conscious we are in our actions.<\/span><\/p>\n

\u201c<\/span>Reconstrucci\u00f3n<\/span><\/i> is an invitation, then, to question how much is left of the intuitive in our being and how much we do based on knowledge, evocations and memories.\u201d<\/span><\/p>\n

\"\"<\/a>
N\/t. Matanzas Bay, 2022. From the series \u201cReconstrucci\u00f3n\u201d.<\/figcaption><\/figure>\n
\"\"<\/a>
\u201cNeblina.\u201d City of Matanzas, 2023. From the series \u201cReconstrucci\u00f3n.\u201d<\/figcaption><\/figure>\n
\"\"<\/a>
\u201cAdri.\u201d City of Matanzas, 2021. From the series \u201cReconstrucci\u00f3n.\u201d<\/figcaption><\/figure>\n
\"\"<\/a>
\u201cSunrise.\u201d Matanzas Bay, 2023. From the series \u201cReconstrucci\u00f3n.\u201d<\/figcaption><\/figure>\n
\"\"<\/a>
\u201cTatuaje.\u201d City of Matanzas, 2021. From the series \u201cReconstrucci\u00f3n.\u201d<\/figcaption><\/figure>\n
\"\"<\/a>
\u201cCalle R\u00edo.\u201d City of Matanzas, 2020. From the series \u201cReconstrucci\u00f3n.\u201d<\/figcaption><\/figure>\n
\"\"<\/a>
\u201cCalle Medio.\u201d City of Matanzas, 2020. From the series \u201cReconstrucci\u00f3n.\u201d<\/figcaption><\/figure>\n
\"\"<\/a>
N\/t. Matanzas Bay, 2022. From the series \u201cReconstrucci\u00f3n.\u201d<\/figcaption><\/figure>\n
\"\"<\/a>
\u201cRelaci\u00f3n.\u201d Matanzas Province, 2023. From the series \u201cReconstrucci\u00f3n.\u201d<\/figcaption><\/figure>\n
\"\"<\/a>
Yosvany Mart\u00ednez. Self-portrait.<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"

The uniqueness of his photographic work is the integration of the human being with the landscape, whether urban or rural.<\/p>\n","protected":false},"author":3770,"featured_media":310477,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[34932],"tags":[12155,8863,19256,14890],"ppma_author":[34037],"class_list":["post-310475","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-eye-to-the-viewfinder","tag-cuban-photography","tag-cuban-society","tag-featured","tag-photography"],"acf":[],"yoast_head":"\nEye to the viewfinder: Yosvany Mart\u00ednez | OnCubaNews English<\/title>\n<meta name=\"description\" content=\"The uniqueness of his photographic work is the integration of the human being with the landscape, whether urban or rural.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, 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