{"id":314547,"date":"2024-12-09T17:42:10","date_gmt":"2024-12-09T22:42:10","guid":{"rendered":"https:\/\/oncubanews.com\/en\/?p=314547"},"modified":"2024-12-09T17:46:59","modified_gmt":"2024-12-09T22:46:59","slug":"film-festival-in-memory","status":"publish","type":"post","link":"https:\/\/oncubanews.com\/en\/opinion\/columns\/on-the-road\/film-festival-in-memory\/","title":{"rendered":"Film Festival in memory"},"content":{"rendered":"

During these days of the Havana International Film Festival, I am dusting off my archives. I am moved to remember those dark rooms where everything began with the unmistakable beats of the musical curtain composed by <\/span>Jos\u00e9 Mar\u00eda Vitier<\/b><\/a>.<\/span><\/p>\n

I used to be one of those people called \u201cfestival-goers.\u201d I spent the day, from morning to night, walking quickly down 23rd Avenue from one theater to another. I immersed myself in the inevitable lines to get into each showing, and in the middle of the day I was content with having a 5-peso pizza accompanied by a 1-peso soda (a detail that makes it clear that this happened quite a while ago).<\/span><\/p>\n

\"\"<\/a><\/p>\n

\"\"<\/a>
The classic and multitudinous queues of the Havana Film Festival. Photo: Kaloian.<\/figcaption><\/figure>\n
\"\"<\/a>
A stray dog at the entrance to the Yara movie theater. Photo: Kaloian.<\/figcaption><\/figure>\n

I walked around with the Festival Diary under my arm, marking on the guide the three or four films I would see the next day. The last showing was a challenge: tiredness often got the better of me and I ended up falling asleep in my seat. Even that had its charm: waking up with the final credits was part of the ritual.<\/span><\/p>\n

\"\"<\/a>
Popular Brazilian actor Rodrigo Santoro, 2008. Photo: Kaloian.<\/figcaption><\/figure>\n

I think I was trapped by Havana because I saw it in December, dressed for the movies. I arrived for the first time from Holgu\u00edn, with a group of friends. There were about eight of us, young and enthusiastic, carrying a small camera with only one roll of film for the whole stay. Every photo from that trip is a group photo, and behind us there is always a line of people waiting to enter a movie theater.<\/span><\/p>\n

\"\"<\/a>
Two police officers read the guide for the Havana Film Festival, 2011. Photo: Kaloian.<\/figcaption><\/figure>\n

That first visit was more than twenty years ago; I wasn\u2019t even a photographer yet. From then on, every December I had a date in Havana. I stayed at my aunts\u2019 house and stayed there for the first two weeks of the month, while the Festival lasted. When I returned to Holgu\u00edn, I bragged at school about the movies I had seen and the famous people I had met. Sometimes I exaggerated a little. There were no social media or smartphones to contradict me; nor to leave testimony of my stories. Words and a bit of youthful charisma were enough to be credible.<\/span><\/p>\n

\"\"<\/a>
Laura de la Uz and Juan Carlos Tab\u00edo, 2012. Photo: Kaloian.<\/figcaption><\/figure>\n

On one of those festival dates I discovered Fernando Birri, an Argentine filmmaker and a reference in Latin American cinema. I happened to walk into a retrospective at the La Rampa movie theater and came across <\/span>Un se\u00f1or muy viejo con unas alas grandes<\/span><\/i>, his adaptation of the story by Gabriel Garc\u00eda M\u00e1rquez. The film, a Cuban-Argentine co-production, had a luxury cast that included Daisy Granados and Adolfo Llaurad\u00f3. But what struck me most was Birri in the role of the fallen angel, with his white beard and unmistakable smile. The image of the protagonist soaring through the skies stayed with me.<\/span><\/p>\n

\"\"<\/a>
Benicio del Toro and Daisy Granados, 2008. Photo: Kaloian.<\/figcaption><\/figure>\n

Days later, I saw him in person on 23rd Avenue. It was impossible not to recognize him. I followed him with my eyes as he disappeared among the people, as if at any moment he could take flight towards the fictional world he had created in his film. I have no photos of that sequence; back then I didn\u2019t carry a camera everywhere like I do now. But it doesn\u2019t matter, that surreal scene remained imprinted on my retina.<\/span><\/p>\n

\"\"<\/a>
Javier Bardem, Jorge Perugorr\u00eda and Fito P\u00e1ez during the Havana Film Festival, 2007. Photo: Kaloian.<\/figcaption><\/figure>\n
\"\"<\/a>
Gael Garc\u00eda Bernal and Diego Luna at the presentation of \u201cY tu mam\u00e1 tambi\u00e9n\u201d at the Havana Film Festival, 2007. Photo: Kaloian.<\/figcaption><\/figure>\n

Years later, at another festival, I saw Gabriel Garc\u00eda M\u00e1rquez, the inspiration for Birri\u2019s film. There he was, sitting in the Karl Marx Theater with his wife, Mercedes, and a group of Cuban friends like Alfredo Guevara and Julio Garc\u00eda Espinosa. I don\u2019t remember what film we were about to see, but I didn\u2019t miss the opportunity to photograph them. The image was funny: Gabo and Alfredo seem to be gossiping about what Mercedes was watching on her phone.<\/span><\/p>\n

\"\"<\/a>
Gabriel Garc\u00eda M\u00e1rquez with his wife Mercedes and Alfredo Guevara. Photo: Kaloian.<\/figcaption><\/figure>\n

At a Havana Film Festival all kinds of stories can come together. One of the most unusual things that happened to me was getting lost in the Yara movie theater (who gets lost in a theater?). When I opened the wrong door, I found myself in the projection booth. There was the projectionist, the anonymous magician who manipulated a roll of film in the now classic 35-millimeter format, a relic in the digital age. A few meters away, the machine was screening, transforming a beam of light into movement at thousandths of a second intervals. Each frame came to life thanks to a lens that inverted and focused the images on the screen; that magic. From that privileged place, the heart of the cinema, I saw a film like never before: through a small window.<\/span><\/p>\n

\"\"<\/a>
The projectionist in action, 2006. Photo: Kaloian.<\/figcaption><\/figure>\n
\"\"<\/a>
The projection room, the heart of the cinema. Photo: Kaloian.<\/figcaption><\/figure>\n

Random scenes like these cross my memory during this time of the Festival. Now, when I look through a bunch of photos taken in a hurry, each one holds a fragment of the past, a story to be told. They are images that capture encounters, glances and the constant movement of December in Havana, when cinema becomes the protagonist of the city.<\/span><\/p>\n

\"\"<\/a>
Fito P\u00e1ez arrives at the La Rampa cinema to present his film \u201c\u00bfDe qui\u00e9n es el portaligas?\u201d, 2007. Photo: Kaloian.<\/figcaption><\/figure>\n

Nostalgia for those days makes me think that the Film Festival not only projects stories on screens; it also creates them in the lives of those who live it intensely. The films end, but the memory of what happens around them remains. The true light of the dark room.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

I used to be one of those people called \u201cfestival-goers.\u201d I spent the day, from morning to night, walking quickly down 23rd Avenue from one theater to another.<\/p>\n","protected":false},"author":3262,"featured_media":314550,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[13902,34784],"tags":[7708,19256],"ppma_author":[33930],"class_list":["post-314547","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cuba","category-on-the-road","tag-cinema","tag-featured"],"acf":[],"yoast_head":"\nFilm Festival in memory | OnCubaNews English<\/title>\n<meta name=\"description\" content=\"I used to be one of those people called \u201cfestival-goers.\u201d I spent the day, from morning to night, walking from one theater to another.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, 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