Large format seems to be comfortable for Diago because \u201cit makes it easier to catch the public\u2019s attention, and it is as if the work were shouting \u2018Look at me!\u2019 A large size allows me to overwhelm the spectator,\u201d to be revealing without false modesty. At the same time, he emphasizes that religiosity in Cuba is \u201can everyday thing. It has been a weapon of resistance throughout all the ages. It comes from our ancestors and endures. Religiosity is incorporated into everything that is Cuban, one way or another. It is part of us.\u201d<\/p>\n
Memory also permanently pulsates in the work of Diago, who has touched on elements that border on what could be described as marginal, but he is not afraid of the term. \u201cThe elite marginalize you\u2026they put you \u2018outside of,\u2019 and you begin to question certain postulates; I felt the need to give a voice to my friends from the humble Pogolotti neighborhood; they are the protagonists in a number of my works.\u201d He does not go to the mountain but to intellectual terrain, because \u201cthanks to high culture, you refine the blow, but the blow is twice as weighty.\u201d<\/p>\n
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