
{"id":41995,"date":"2015-02-12T06:00:22","date_gmt":"2015-02-12T11:00:01","guid":{"rendered":"http:\/\/oncubamagazine.com\/?p=41995"},"modified":"2015-02-11T19:21:31","modified_gmt":"2015-02-12T00:21:31","slug":"roberto-fabelo-i-love-even-this-islands-trash","status":"publish","type":"post","link":"https:\/\/oncubanews.com\/en\/culture\/roberto-fabelo-i-love-even-this-islands-trash\/","title":{"rendered":"Roberto Fabelo: \u201cI love even this island\u2019s trash\u201d"},"content":{"rendered":"<p>For Roberto Fabelo\u2014a painter, draftsman, illustrator and sculptor\u2014\u201ccreating is my greatest enjoyment\u201d and a necessity that he has felt from a very young age. In his hometown of Gu\u00e1imaro, he made lizards, frogs, and scorpions out of beeswax, and drew on his school blackboard and on polished paving stones with a carpenter\u2019s pencil. Afterward, when he was a student at the Higher Institute of Art (ISA), he carved chalk into tiny, magical sculptures\u2026. He\u2019s always worked with any and every medium.<\/p>\n<p>Nevertheless, in recent times he has been making sculptures out of bronze, which is a very final medium; however, that\u2019s not the most important aspect, he says: \u201cBronze is not a concept; it is a material, and I simply continue developing ideas and motifs according to my thematic agenda. Now it\u2019s bronze, but if I feel the need to work in stainless steel, aluminum or bone\u2014human or animal\u2014that\u2019s what I\u2019ll do,\u201d he says.<\/p>\n<p>During Fabelo\u2019s exclusive interview with OnCuba, we assumed that he prefers to work in large format, an assumption that he does not share. \u201cThat\u2019s not necessarily the case. Between June and September of 2014, at the Museum of Latin American Art (MoLAA) in Long Beach, California, I had a large exhibition that included medium-format pieces and a set of small drawings\u2014which was actually the heart of the show\u2014done on Leo Testut\u2019s Traite d\u2019anatomie humaine, an antique medical encyclopedia with anatomy sketches that I drew on, using the pages themselves and creating new images on them, texts and all.\u201d Nevertheless, he admits that he feels \u201cmore comfortable\u201d with large-format work, even though it \u201crequires a lot of energy, because they are elaborate pieces, but I don\u2019t set any limits on myself.\u201d<\/p>\n<p>With Goya and Vel\u00e1zquez as his inspirations, Fabelo also acknowledges that his \u201creferential fabric\u201d includes strands such as Cuban artists Fidelio Ponce, Ren\u00e9 Portocarrero and Carlos Enr\u00edquez, among many others, and this is because he has turned his eyes toward them. The influences are unquestionable.<\/p>\n<p>\u201cAll Cubans are innate recyclers,\u201d he once said, and he returns to that subject now. \u201cIt is something inherent to us as survivors of shortages and having to give up many things; recycling is a term that refers not only to material objects but also to our best sentiments\u2014our memories, our culture. We have all had to recycle, and I\u2019ve found myself in that tide, too. As a recycler and as a Cuban I\u2019ve used materials that might seem finite or in a state of disappearance, and I\u2019ve worked with them, and that perspective has turned a corner full of spider webs into a place of unknown poetry. You can\u2019t underestimate anything from your surroundings, or anything made by human beings, even if it has completed its physical life cycle. In 1993, my friend the trova singer-songwriter Silvio Rodr\u00edguez dedicated a song to me that says, in one part, \u2018country in which the trash is still loved.\u2019 And it\u2019s true; I love even this island\u2019s trash.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Jos\u00e9 Roberto Fabelo P\u00e9rez<\/strong> (Gu\u00e1imaro, Camag\u00fcey, 1950). A graduate of the Higher Institute of Art (ISA, 1981) and the National School of the Arts (ENA, 1972). Winner of the 2004 National Visual Arts Award, the highest honor granted by the National Council of Visual Arts, and the National Culture Medal, awarded by the Ministry of Culture. He is a member of the Union of Writers and Artists of Cuba (UNEAC) and of the International Association of Visual Artists.<\/p>\n<p>His work can be found in major collections in Spain, Italy, Chile, France, Germany, Panama, Mexico, Venezuela, England, the United States, China, and other countries, and he has participated in several prestigious Christie\u2019s and Sotheby\u2019s auctions in New York. Considered as one of the most outstanding artists of Cuba\u2019s contemporary context, Fabelo, without renouncing his international commitments, is interested in showing his work in public spaces in Havana, a city to which he feels deeply connected.<\/p>\n<p>His studio address<br \/>\nGaler\u00eda Suy\u00fa, Calle de Los Oficios no. 6, esquina a Obispo (altos), La Habana Vieja, Cuba<br \/>\nEmail edelauz@cubarte.cult.cu<br \/>\nTelephone +53 78612387<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/oncubanews.com\/wp-content\/uploads\/2015\/02\/FB15001.tif\"><img decoding=\"async\" class=\"alignleft size-large wp-image-42002\" src=\"https:\/\/oncubanews.com\/wp-content\/uploads\/2015\/02\/FB15001.tif\" alt=\"FB15001\" width=\"1\" height=\"1\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>For Roberto Fabelo\u2014a painter, draftsman, illustrator and sculptor\u2014\u201ccreating is my greatest enjoyment\u201d and a necessity that he has felt from a very young age. In his hometown of Gu\u00e1imaro, he made lizards, frogs, and scorpions out of beeswax, and drew on his school blackboard and on polished paving stones with a carpenter\u2019s pencil. Afterward, when [&hellip;]<\/p>\n","protected":false},"author":2480,"featured_media":41999,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"jnews-multi-image_gallery":[],"jnews_single_post":[],"jnews_primary_category":[],"jnews_social_meta":[],"jnews_override_counter":[],"footnotes":""},"categories":[33],"tags":[8451,8068],"ppma_author":[33682,7146],"class_list":["post-41995","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture","tag-fabelos-anatomy","tag-roberto-fabelo-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Roberto Fabelo: \u201cI love even this island\u2019s trash\u201d | OnCubaNews English<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/oncubanews.com\/en\/culture\/roberto-fabelo-i-love-even-this-islands-trash\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Roberto Fabelo: \u201cI love even this island\u2019s trash\u201d | OnCubaNews English\" \/>\n<meta property=\"og:description\" content=\"For Roberto Fabelo\u2014a painter, draftsman, illustrator and sculptor\u2014\u201ccreating is my greatest enjoyment\u201d and a necessity that he has felt from a very young age. 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