{"id":48669,"date":"2015-06-03T06:00:57","date_gmt":"2015-06-03T10:00:57","guid":{"rendered":"http:\/\/oncubamagazine.com\/?p=48669"},"modified":"2015-06-02T19:45:32","modified_gmt":"2015-06-02T23:45:32","slug":"to-work-lescays-great-monument","status":"publish","type":"post","link":"https:\/\/oncubanews.com\/en\/culture\/to-work-lescays-great-monument\/","title":{"rendered":"To Work: Lescay&#8217;s Great Monument"},"content":{"rendered":"<p>At a very young age, Alberto Lescay discovered that the visual arts \u201cwere his world\u201d; however, he was torn at first by having to choose between sculpture and painting. \u201cAt this point, I haven\u2019t decided on either, but on both,\u201d he says with conviction.<\/p>\n<p>In August he will open a solo show in Mexico City una muestra personal that was preceded by a solo show in the central Mexican city of Quer\u00e9taro, where, he told <strong>OnCuba<\/strong> in an exclusive interview, he feels \u201cgreat among so many friends who love and welcome me.\u201d<\/p>\n<p>Before that, though, he planned to exhibit at the 12<sup>th<\/sup> Havana Biennial, from May to June of this year, at the Morro-Caba\u00f1a national park (as part of a project called Zona franca). The main character of this solo show, <em>Sue\u00f1o de caballa<\/em>, first appeared in his work 10 years ago and has acquired increasing relevance. \u201cThe <em>caballa<\/em> is an icon that embodies our reality, but at the same time it is a bit picaresque; it has a bit of humor and represents human problems related to ambiguities, vicissitudes, achievements, joys and sorrows. It all comes together in that character, and I\u2019m going to try to express it in works that are sometimes paintings, sometimes sculptures, and sometimes graphic works, and I will incorporate the installation criterion. I think it will be something interesting.\u201d<\/p>\n<p>For an artista like Lescay\u2014who classifies as one of Cuban contemporary art\u2019s maestros\u2014participating in the Biennial is \u201cvery important,\u201d because a true artist needs to be interested in confrontation, criticism, and contact with the public. \u201cA lot of people come to find out about and become familiar with what is happening in Cuba\u2019s visual arts, and that is positive. Moreover, it is a privilege that we have earned, for one thing, by the level of response to Cuba\u2019s visual arts\u2014each in its own way\u2014and that is something very attractive for collectors and others who are looking to Cuba.\u201d<\/p>\n<p>Lescay is considered by some to be a sort of guardian of his city, which he views as a tremendous responsibility, because Santiago is full of stories and mysteries and is the cradle of many events. \u201cPerhaps I am a humble guardian who is trying to recognize and protect values related to the essence of being Cuban. I feel like Santiago\u2014which is celebrating its first 500<sup>th<\/sup> birthday this year\u2014is like a kind of universal temple.\u201d<\/p>\n<p>The <em>Monumento al Cimarr\u00f3n<\/em>, which stands very close to the sanctuary of Cuba\u2019s patron saint, the Virgin of La Caridad, is, perhaps, the work that marked a turning point in Lescay\u2019s work. \u201cI feel the spirit of that work in others, and I think I\u2019ve found a road, because it is a very open proposal, not at all schematic or dogmatic, and those are very universal codes that are expressed in it.\u201d He contends that being a <em>cimarr\u00f3n<\/em> is an attitude toward life, and will continue to exist as long as any trace or expression of slavery exists in the world, because \u201cbeing free, never being fettered, is the most humane stance there is.\u201d<\/p>\n<p>His biggest goal is to work every day. It is, precisely, his \u201cgreat monument,\u201d the only way to nourish his spirit. \u201cTrying to make art is the most beautiful and human attitude that can exist. Independently of setting greater goals in relation to scale, the most important thing is\u2014with small things\u2014to make a monument to yourself every day.\u201d<\/p>\n<p>An inveterate dreamer, he imagines Santiago in the next 500 years as a modern city, with a metro that will unite it with the capital, \u201cand a cable car that will take us to the top of Pico Turquino\u2026. I see a Santiago de Cuba full of beautiful things, colors, bursting with good music and a mixture of artists from all over the world. Havana and Santiago will be tied together\u2014as they always have been\u2014amid their controversies, loans and exchanges; that is a virtue of our <em>caiman<\/em>, which kisses and caresses all its parts, because, in the end, we are Cuban.\u201d<\/p>\n<p><a href=\"https:\/\/oncubanews.com\/wp-content\/uploads\/2015\/06\/lezcay61.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-48698 size-full\" src=\"https:\/\/oncubanews.com\/wp-content\/uploads\/2015\/06\/lezcay61.jpg\" alt=\"lezcay6\" width=\"755\" height=\"640\" srcset=\"https:\/\/oncubanews.com\/en\/wp-content\/uploads\/2015\/06\/lezcay61.jpg 755w, https:\/\/oncubanews.com\/en\/wp-content\/uploads\/2015\/06\/lezcay61-300x254.jpg 300w\" sizes=\"auto, (max-width: 755px) 100vw, 755px\" \/><\/a><\/p>\n<p>Alberto Lescay Merencio (Santiago de Cuba, 1950). Graduated in 1968 from the Jos\u00e9 Joaqu\u00edn Tejada School of Visual Arts in Santiago de Cuba with a specialty in painting, and from Havana\u2019s National Art School in 1973 with a specialty in sculpture. This well-known artist sponsored the creation in 1995 of the Caguayo Foundation for Monumental and Applied Arts.<\/p>\n<p><a href=\"https:\/\/oncubanews.com\/wp-content\/uploads\/2015\/06\/LESCAY31.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright wp-image-48701 size-medium\" src=\"https:\/\/oncubanews.com\/wp-content\/uploads\/2015\/06\/LESCAY31-198x300.jpg\" alt=\"LESCAY3\" width=\"198\" height=\"300\" srcset=\"https:\/\/oncubanews.com\/en\/wp-content\/uploads\/2015\/06\/LESCAY31-198x300.jpg 198w, https:\/\/oncubanews.com\/en\/wp-content\/uploads\/2015\/06\/LESCAY31-677x1024.jpg 677w, https:\/\/oncubanews.com\/en\/wp-content\/uploads\/2015\/06\/LESCAY31.jpg 755w\" sizes=\"auto, (max-width: 198px) 100vw, 198px\" \/><\/a><\/p>\n<p>He obtained the title of Art Teacher, with a specialty in monumental sculpture, at the Repin Academy of Sculpture, Architecture, Painting and Graphic Arts in St. Petersburg. His work has been exhibited in Cuba, Germany, Spain, Norway, Belgium, Holland, Greece, France, Nicaragua, Surinam, Mexico, the United States, Granada, Barbados, and elsewhere. In Cuba three works of his on display are considered National Heritage: The <em>Plaza Antonio Maceo<\/em> and the <em>Monumento al Cimarr\u00f3n [Monument to the Runaway Slave]<\/em>, in Santiago de Cuba, and in a centrally-located park of Havana\u2019s Vedado neighborhood, <em>Vuelo Lam<\/em>, a sculptural complex (which pays homage to the Cuban artist best-known internationally).<\/p>\n<p><strong>Studio Lescay<\/strong><\/p>\n<p>Ave. Manduley no. 453 entre 17 y 19. Reparto Vista Alegre, Santiago de Cuba<\/p>\n<p>Tel.: (+53 22) 641395 \/ (+53 5) 263 0374<\/p>\n<p><a href=\"http:\/\/www.albertolescay.com\">www.albertolescay.com<\/a><\/p>\n<p><a href=\"mailto:albertolescay@yahoo.es\">albertolescay@yahoo.es<\/a><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>At a very young age, Alberto Lescay discovered that the visual arts \u201cwere his world\u201d; however, he was torn at first by having to choose between sculpture and painting. \u201cAt this point, I haven\u2019t decided on either, but on both,\u201d he says with conviction. In August he will open a solo show in Mexico City [&hellip;]<\/p>\n","protected":false},"author":2480,"featured_media":48690,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[33,43],"tags":[],"ppma_author":[33682,7146],"class_list":["post-48669","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture","category-magazine-articles"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>To Work: Lescay&#039;s Great Monument | OnCubaNews English<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/oncubanews.com\/en\/culture\/to-work-lescays-great-monument\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"To Work: Lescay&#039;s Great Monument | OnCubaNews English\" \/>\n<meta property=\"og:description\" content=\"At a very young age, Alberto Lescay discovered that the visual arts \u201cwere his world\u201d; however, he was torn at first by having to choose between sculpture and painting. \u201cAt this point, I haven\u2019t decided on either, but on both,\u201d he says with conviction. 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