
{"id":82505,"date":"2017-01-03T06:00:31","date_gmt":"2017-01-03T11:00:31","guid":{"rendered":"http:\/\/oncubamagazine.com\/?p=82505"},"modified":"2016-12-28T12:57:55","modified_gmt":"2016-12-28T17:57:55","slug":"past-present-and-future-the-fors-triad","status":"publish","type":"post","link":"https:\/\/oncubanews.com\/en\/culture\/visual-arts\/past-present-and-future-the-fors-triad\/","title":{"rendered":"Past, Present and Future: the Fors Triad"},"content":{"rendered":"<p>(Havana, January 10, 1956.) 2016 National Prize for Visual Arts. Graduated in 1976 from the renowned San Alejandro Arts Academy. His works are found in international collections of the Los Angeles County Museum of Art (LACMA); Museum of Contemporary Art (MOCA), Los Angeles; the Museum of Fine Arts, Houston; Museum of Art, Fort Lauderdale; University of Virginia Art Museum, Charlottesville; Farber Collection, New York; Cisneros Fontanals Art Foundation, Miami; Museum of Fine Arts, Caracas; Museo Las Am\u00e9ricas, Managua; and in Havana: Museum of Fine Arts, Casa de las Am\u00e9ricas, National Council of Visual Arts and Phototeque of Cuba.<\/p>\n<p>The Fors, who are natives of Catalonia, arrived in Cuba in the times of the colony. It is a family registered among the founders of Nuestra Se\u00f1ora de las Nieves, of Mantua, according to a document from the time that Jos\u00e9 Manuel Fors zealously conserves.<\/p>\n<p>The work of Fors \u2013 who lives and works in Havana \u2013 is based on memory, interpreted like layers that are superimposed and deposited with the passage of time. But his concept of time doesn\u2019t necessarily have to do with the philosophical category that alludes to only one direction. No. For Fors time is a handle, an anchorage, from where a great many stories and experiences are weaved, interlinking to create atmospheres, at times overwhelming, that catapult you to the future.<\/p>\n<p><a href=\"https:\/\/oncubanews.com\/wp-content\/uploads\/2016\/12\/Fors-2-755x490-1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-83388\" src=\"https:\/\/oncubanews.com\/wp-content\/uploads\/2016\/12\/Fors-2-755x490-1.jpg\" alt=\"fors-2-755x490\" width=\"755\" height=\"490\" \/><\/a><\/p>\n<p>In his discourse the artist makes his a time not lived and at the same time palpable because it has gotten to this time not just through memory but by the many photographs with which he has coexisted since he was a child and that, undoubtedly, have become referents for him: \u201cmy grandfather on my father\u2019s side was an important botanist and had many manuscripts and drawings of plants,\u201d he reveals in an exclusive conversation with <strong>OnCuba<\/strong>, \u201cand when in your home no one throws out a document of a certain value and boxes of photographs are conserved treasuring the family history, all that becomes a mine of information at your fingertips with which you can work.\u201d<\/p>\n<p>Fors insists once and again that he doesn\u2019t consider himself a photographer, although he uses the benefits of the camera as a tool for his work: \u201cI usually don\u2019t take pictures in the street; I don\u2019t have a photographer\u2019s eye. I use the camera as a substitute for drawing and painting.\u201d That is to say, a part of his work is nurtured from the spirit of the images captured decades ago &#8211; even by street photographers \u2013 and which he submits to a process of greater aging. Moreover, in his installations he appropriates, recycles or reuses elements in order, through them, to give out signs of contemporariness.<\/p>\n<p>Ever since his first personal exhibition in 1983 \u2013 \u201cAcumulaciones\u201d -, Jos\u00e9 Manuel Fors opted for the installation, \u201cbecause it is much freer than sculpture,\u201d a manifestation that he affirms is \u201ccontrolled and has norms that have to be respected.\u201d Before this, he briefly passed through material abstraction &#8211; from that period a work is conserved in the collections of the Museum of Fine Arts -, but Fors doesn\u2019t self-define himself as an abstract painter because \u201cI rapidly go from material painting to installation,\u201d he points out.<\/p>\n<p><a href=\"https:\/\/oncubanews.com\/wp-content\/uploads\/2016\/12\/Fors-755x490-1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-83389\" src=\"https:\/\/oncubanews.com\/wp-content\/uploads\/2016\/12\/Fors-755x490-1.jpg\" alt=\"fors-755x490\" width=\"755\" height=\"490\" \/><\/a><\/p>\n<p>An admirer of Spanish artists Antoni T\u00e0pies and Manolo Millares, \u201cbecause of the rough way they worked the coarse canvas or pieces of appliqu\u00e9d textile folk art, the strings and the objects,\u201d Fors is part of the short list of artists that comprised the \u201cVolumen I\u201d exhibition, in which Jos\u00e9 Bedia, Ricardo Brey, Flavio Garciand\u00eda, Tom\u00e1s S\u00e1nchez, Rogelio L\u00f3pez Mar\u00edn (Gory) also participated to complete eleven. \u201cI never understood\u201d the heated debates generated by the \u201cVolumen I\u201d display, says Fors: \u201cI never understood why there was so much commotion\u201d and, in the light of time, \u201cseeing the scarce images that exist, I become aware that perhaps \u2018Volumen I\u2019 opted for a language different from the usual at that time.\u201d<\/p>\n<p>Very happy and grateful for the National prize for Visual Arts \u2013 which pays tribute to the work of a lifetime and is the topmost incentive granted on the island to the creators linked to visual arts -, Fors considers \u201cit is also a recognition for his generation,\u201d while he already started thinking about how and which will be his exhibition proposal for the Museum of Fine Arts in December 2017, also part of the mentioned prize.<\/p>\n<p>Meanwhile, this singular artist \u2013 who confesses having \u201cgreat patience for life and for work\u201d \u2013 continues submerged among manuscripts and poems that date back to 1848; an instant picture taken in 1944, when his father worked as a surveyor in the construction of the Topes de Collantes sanatorium; a letter, in perfect Catalonian, that his great-great-grandfather Sagim\u00f3n wrote to his mother and never sent; or the degree that his grandfather, Alberto Fors Reyes, got for his studies of agronomy in the prestigious Cornell University of New York.<\/p>\n<p>Also, the \u201ctied-up bundle of memories\u201d \u2013 an old custom of keeping together letters, portraits and dedications with a ribbon or string -, and which are veritable columns of memory, will continue nurturing the work of Jos\u00e9 Manuel Fors.<\/p>\n<p><strong>LOCALIZATION<\/strong><\/p>\n<p>Studio: Avenida 7ma. no. 6001, apto. 1 esquina 60, Miramar, Havana, Cuba.<\/p>\n<p>Tel.: 0 53 72037540 and 0 53 52750167.<\/p>\n<p><a href=\"http:\/\/www.josemanuelfors.com\">www.josemanuelfors.com<\/a><\/p>\n<p><a href=\"http:\/\/www.studio7y60.com\">www.studio7y60.com<\/a><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>(Havana, January 10, 1956.) 2016 National Prize for Visual Arts. Graduated in 1976 from the renowned San Alejandro Arts Academy. His works are found in international collections of the Los Angeles County Museum of Art (LACMA); Museum of Contemporary Art (MOCA), Los Angeles; the Museum of Fine Arts, Houston; Museum of Art, Fort Lauderdale; University [&hellip;]<\/p>\n","protected":false},"author":2480,"featured_media":83390,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[13919],"tags":[],"ppma_author":[33682,7146],"class_list":["post-82505","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-visual-arts"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Past, Present and Future: the Fors Triad | OnCubaNews English<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/oncubanews.com\/en\/culture\/visual-arts\/past-present-and-future-the-fors-triad\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Past, Present and Future: the Fors Triad | OnCubaNews English\" \/>\n<meta property=\"og:description\" content=\"(Havana, January 10, 1956.) 2016 National Prize for Visual Arts. Graduated in 1976 from the renowned San Alejandro Arts Academy. 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