Pablo Milanés: vocation to found
In addition to his extensive and magnificent musical work, Pablo was a consecrated promoter and cultural agent.
Dra. en Comunicación con especialidad en medios digitales y procesos migratorios.
In addition to his extensive and magnificent musical work, Pablo was a consecrated promoter and cultural agent.
“Maestro, how are you. I have followed your footsteps thanks to Drexler and I am amazed at what you do. I wanted to know if for some reason you would pass through Miami in the future. Or where your base is, to meet you one day and be able to see the possibility of taking a course on décimas. A strong hug.” This was the first message from Juanes that I received, via Instagram, in May 2019. Imagine my surprise. Who doesn’t know Juanes? The Colombian artist who accumulates the splendid number of 25 Grammy awards and whose success transcends the borders of the Spanish language. (He has fan groups in Germany, Poland, France, Australia, etc.). As they say in Spain, I went crazy. Juanes wanted to take a course with me! Illustrious students I already had a beautiful portfolio of illustrious students within the world of song (Drexler, Rozalén, Zenet, Ruibal, Vicky Gastelo, Gema Hernández, Nano Stern, Pala, Marta Gómez, Pedro Pastor, Mr. Kilombo and many others; by the way, only a few Cubans: only Gerardo Alfonso many years ago and recently Amanda Cepero), but Juanes arrived, as Drexler would say, “from another galaxy.” And my response was immediate:...
“There is no single way to emigrate or live the migratory experience, nor is there a way to experience Cuba or a method to forget it.”
Interview about the album “Celia, Cuba te da las gracias”.
Only racial prejudice, political cowardice and ignorance continue to evade the mechanisms of that great social machinery that is racism, beyond those who reject or reproduce it.
Although still very far from the levels of the so-called “thaw” of the Barack Obama administration, in recent times there have been some gestures and signs in both directions, according to experts.
What happens in “Blonde” is that Dominik’s gaze shifted from presenting Marilyn Monroe as a victim of a patriarchal film industry, which turned her into an object and a product, to a victimized woman.
A conversation about what it means for her to be in a black, Cuban and migrant woman’s body, living in Chile.
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