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A big Olé for the Rolling Stones in Cuba!

by
  • Eduardo del Llano
    Eduardo del Llano,
  • eduardodelllano
    eduardodelllano
March 26, 2016
in Technologies of Communication and Media
0
Photo: Roberto Ruiz

Photo: Roberto Ruiz

It is no longer a possibility, but a fact: The Rolling Stones performed in Cuba.

On Friday 25 I got to Ciudad Deportiva at 11 a.m. to wait for the concert, and it was worth it: I got an incredible spot, less than 10 meters away from the stage. The problem with those positions is that you cannot change places later. It goes beyond a moral imperative: you cannot move, literally. You must be sitting or standing in your spot for long hours.

Stretching your legs or turning around is a manoeuvre as complicated as solving a Rubik cube: the person next to you will have to change positions, and then the person next to that one, and so on. But when the concert start you congratulate yourself for having resisted.

“We know that there was a time when it was not possible to listen to our music in Cuba. Well, here we are. Times have changed,” said Mick in his introduction to one of the songs.

He’s right: things have changed. The band that many decades ago was portrait as the quintessence of the decadence and degradation of young people in capitalism is closing its Latin American tour, “Ole”, -a name that in my opinion is not very appropriate- in Havana, and the public have welcomed them as if they were gods.

They are not gods, but they are living icons and legends. This is not a band that just formed and has a couple of very famous singles. This is an essential name in the history of contemporary culture.

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Photo: Roberto Ruiz

Although the stage was impressive, it looked more compact to me than the ones that were built for tours like Voodoo Lounge (1994-95), Licks (2002-03) and A bigger bang (2005-07). It was more centered in the music than in the visual effects: no flames, no fireworks, no giant inflatable figures or moving stage.

Charlie’s drums, which used to be located well to the back, have a more central presence now. This also allows him not to lose sight of Mick when he runs to the sides of the stage. Many of the band’s regular contributors were there too (Darryl Jones, bass; Bernard Fowler, chorus and drums, Chuck Leavell, keyboards; and Tim Ries, saxophone), and new ones, such as young promise Sasha Allen, who replaced Lisa Fisher in the chorus.

Towards the end of the show, a Cuban choir joined the band to play You can’t always get what you want. And now that I mention this song, here’s the whole set list:

Jumpin´ jack flash

It´s only rock and roll

Tumbling dice

Out of control

All down the line

Paint it black

Angie

Honky tonk women

You got the silver

Before they make me run

Midnight rambler

Miss you

Start me up

Gimme shelter

Sympathy for the devil

Brown sugar

You can´t always get what you want

(I can´t) get no) satisfaction

Rollings-16
Photo: Claudio Pelaez Sordo

The band sounded firm and powerful, and the concert had many beautiful moments, with a devoted and enthusiastic audience – although, let’s be honest, nine out of ten people didn’t know more than three or four songs.

As for Mick Jagger, that man must have made a pact with the devil. Nobody can display that energy with almost 73 years old (his birthday is on July 26). And the rest of the band followed him closely: as soon as they start playing, they are like kids enjoying themselves. Keith got more at ease as the concert advanced, his solos in Sympathy and Satisfaction were expressive and fluent, his singing was remarkable, especially in You got the silver. Ronnie was brilliant in Rambler. The only exception to this rule was Charlie Watts, who always has that attitude of “the things you have to do to make a living, I’d love to be home listening to jazz.” But he is the engine in the band and one of the people responsible for the design of the stage.

There were other details that speak of the band’s professionalism: Mick presents the songs in the language of the country where they’re playing. Not only can he speak French, German, and Spanish -with an accent though-, he also did research about popular slang phrases and used a few of those.

He told the public that on the night of March 24, the day they arrived, they had gone to the Casa de la Musica in Miramar to dance rumba. People laughed and applauded those kinds of comments. It is impossible not to love them. I don’t know how many people attended the concert (I wouldn’t be surprised if the figure reached half a million) but I know that last night, the Rolling Stones earned legions of new admirers in Cuba.

Rollings-1
Photo: Roberto Ruiz
  • Eduardo del Llano
    Eduardo del Llano,
  • eduardodelllano
    eduardodelllano
Tags: concertrock'n rollRolling Stonesrolling stones in cuba
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Eduardo del Llano

Eduardo del Llano

Eduardo del Llano Rodríguez (Moscú, 1962) Licenciado en Historia del Arte. Escritor, guionista, realizador. Como cineasta ha realizado, entre otros, quince cortometrajes con su personaje Nicanor O´Donnell, y los largometrajes Vinci (2011) y Omega 3 (2014). Como escritor tiene publicados una veintena de títulos en Cuba y el extranjero; los más recientes son Omega 3 (Letras Cubanas, 2016), La calle de la comedia (Guantanamera, Sevilla, 2017) y El enemigo (Letras Cubanas, 2019).

eduardodelllano

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