Oh, La Rampa
In 1946 a Santiago-born graduate of Business Administration at Yale University called Goar Mestre (1912-1994) laid the first stone of a building on the corner of 23 and L. Then he said something that worked like an oracle: that this would be "the heart of Havana." It was the birth of a cultural and business complex designed after New York’s famous Radio City, and in particular the Warner movie theater―Radio Centro and finally Yara would come later―with capacity for 1,700 people, in which the first film in Cinerama, a technology released in the United States in 1952, would be shown. And it was also the birth of those five blocks from 23 and L downward, in search of the sea, which would be known as La Rampa. At a short distance from that heart, on 17 and N, the Focsa building (1956), by Ernesto Gómez Sampera, was the pioneer of coastline skyscrapers, one of the seven wonders of local architecture. Then came the Capri Hotel (1957) by José Canaves; and on La Rampa the Retiro Médico (1958) by Quintana, Beale, Rubio and Pérez Beato; and the Habana Hilton (1958), a run-on of Welton Becket Associates with the Cuban Arroyo y...