Ibeyi
Exquisitely handcrafted, like two impeccable dolls put together with old pieces of fabric, the Ibeyi awaken a strange seduction. That is to say, they are beautiful, talented and loving, all of these qualities having an exemplary transparency, but they also give out a force that antecedes them, a mysterious pulse. Perhaps precisely because the backbone of their fusion is a jumble of old things – roots, spells, land, fugitive songs. They are two wandering little devils, genetically from the wilds, educated, conceived and molded in the frenzied, cosmopolitan and, if you will, magnanimous Paris. The spirit of a culture is not measured by the two or three strict topics that are said to distinguish it, but rather the possibilities it offers of mixing, confusing and pairing up with other cultures. In Ibeyi, Cuba demonstrates how malleable it can be, how generous. In the clip River, the beauty of these twins reminds us of a short story by Lydia Cabrera, where the protagonist drowns in the Almendares and her horse turns into the mud that eternally sways on the banks of the river. The French-Cuban Ibeyi – daughters of the great Cuban percussionist Miguel Díaz (Angá) and the French-Venezuelan singer Maya...